This publication responds to and takes its name from a tour of the Cambridge night devised by artists Townley and Bradby. The tour took in places, ideas and patterns of nocturnal behaviour within Cambridge city centre. It was part of Nightjar curated by Jo Mardell, a series of temporary artworks and encounters between dusk and dawn in October 2009.works and encounters between dusk and dawn in October 2009.
| Artist / Author | Townley and Bradby, James Wilkes |
|---|---|
| Publisher | Sideline Publications |
| ISBN | 9780954129248 |
| Reference | P1514 |
| Date | 1970 |
| Type | Publication |
This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.
Unframing Photography: Performing the Image to See Otherwise is a new book by transdisciplinary artist Manuel Vason, and his third publication with LADA after the ground-breaking Exposures (2002) and Double Exposures (2014).
Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.
In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.
This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.
Common Salt is designed by John Hunter (aka RULER) and published by LADA.
This book is Derek Jarman’s own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden’s complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman’s life in Dungeness: walking, weeding, watering, or just enjoying life.
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić
In Other Words is a collection of urgent reflections, created by 49 artists over 4 months in 2020 exploring their hopes and fears for the future at a time of global crisis. Through prose, poetry, drawing, collage and photography it is a clarion call for change from a diverse group rich in wisdom, shared experience, and what it means to be marginalised in the UK.
Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.
Issue No 8 of Substanz featuring the work of Judith Huber.
Text in English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
A selection of poems and illustrations.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
This short documentary film maps Performance Magazine’s history and legacy by bringing together original editors, guest contributors and others connected to the magazine to reflect on it over 30 years on.
23 mins.