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330 results | Page 29 of 33

Interfaces of Performance
Editor: Maria Chatzichristodoulou, Janis Jefferies and Rachel Zerihan | Reference: P1379 | ISBN: 9780754675761 | Type: Publication
artistic practice audience Blast Theory body Bojana Kunst creative media Donger Doruff Guillermo Gómez-Peña interactions Jefferies Joanna Zylinska Kember Maria Chatzichristodoulou Maria X Matt Adams Patrick Primavesi performance performativity Philip Auslander Rachel Zerihan Rackham Salter stone technology theory trans Triscott

Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology - Review
Artist/Author: Matthew Causey | Reference: A0265 | Type: Article

Review.

criticism performance technology theory

PSI 15 Zagreb - Misperformance
Artist/Author: Various | Reference: P1304 | Type: Publication

Print to accompany Performance Studies International Conference 15 Zagreb 24-28.06.09.

criticism Croatia performance performance studies performance studies international theory

Postmodernism, The Key Figures
Editor: Hans Bertens and Joseph Natoli | Reference: P1272 | ISBN: 0-631-21797-5 | Type: Publication

This book is a kind donation by Natasha Davis. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)

philosophy post-structuralism postmodernism theory

Theatre & Ethics
Artist/Author: Nicholas Ridout | Editor: Jen Harvie and Dan Rebellato | Reference: P1238 | ISBN: 978-0-230-21027-1 | Type: Publication

What is ethics and what has it got to do with theatre? Drawing on both theoretical material and practical examples, Ridout makes a clear and compelling critical intervention, raising fundamental questions about what theatre is for and how audiences interact with it.

audience Goat Island theory

Babylon Europe - Boundless Languages International Conference Proceedings
Artist/Author: Various | Reference: P1236 | Type: Publication

Publication documenting the first public meeting of the institutions that engendered the ENPARTS project (European Network of Performing Arts).

artist culture EU Europe lecture multiculturalism philosophy research theory

Economising Culture - On ‘The (Digital) Culture Industry’
Editor: Geoff Cox, Joasia Krysa and Anya Lewin | Reference: P1137 | ISBN: 1-57027-168-2 | Type: Publication

This publication uses the concept of the culture industry as a point of departure, and tests its currency under contemporary conditions. This item is referenced in the Dreams for an Institution Guide (P2313).

cultural industry Max Horkheimer Theodor Adorno theory

Closer - Performance, Technologies, Phenomenology
Artist/Author: Susan Kozel | Reference: P1067 | ISBN: 978-0-262-11310-6 | Type: Publication

As our computers become closer to our bodies, perspectives from phenomenology and dance can help us understand the wider social uses of digital technologies and design future technologies that expand our social, physical, and emotional exchanges.

This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

dance digital technology flesh Gilles Deleuze intercorporeality mobility phenomenology science theory virtuality

Disability, Culture and Identity
Editor: Sheila Riddell and Nick Watson | Reference: P0974 | ISBN: 0 -13-0894440-0 | Type: Publication

Topics include: development of the social model of disability; disability and the politics of social justice, disabilities and theories of culture and media; disability, ethnicity and generation; the policy options for empowering disabled people, and how the disabled are empowering themselves; the disability arts movement; media treatment of disability.

This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)

body culture disability disability arts Disability Studies identity media mental health multiculturalism Pierre Bourdieu policy politics social justice social policy theory

On Performance and Performativity
Artist/Author: Catherine Elwes | Reference: A0202 | Type: Article

In what ways does the experience of live art counter the ideological readings of place, context and significantly, gendered codification?

Found in miscellaneous article folder #5
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Amelia Jones criticism feminism gender linguistics live art liveness Peggy Phelan performativity Sally Potter theory women

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