Print to accompany Performance Studies International Conference 15 Zagreb 24-28.06.09.

This book is a kind donation by Natasha Davis. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)

What is ethics and what has it got to do with theatre? Drawing on both theoretical material and practical examples, Ridout makes a clear and compelling critical intervention, raising fundamental questions about what theatre is for and how audiences interact with it.

Publication documenting the first public meeting of the institutions that engendered the ENPARTS project (European Network of Performing Arts).

This publication uses the concept of the culture industry as a point of departure, and tests its currency under contemporary conditions. This item is referenced in the Dreams for an Institution Guide (P2313).

As our computers become closer to our bodies, perspectives from phenomenology and dance can help us understand the wider social uses of digital technologies and design future technologies that expand our social, physical, and emotional exchanges.

This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Topics include: development of the social model of disability; disability and the politics of social justice, disabilities and theories of culture and media; disability, ethnicity and generation; the policy options for empowering disabled people, and how the disabled are empowering themselves; the disability arts movement; media treatment of disability.

This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)

In what ways does the experience of live art counter the ideological readings of place, context and significantly, gendered codification?

Found in miscellaneous article folder #5
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.

In four thematic sections, a group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation’s potential to act as a reconsideration of conventional museum spaces.

This item is referenced in the Dreams for an Institution Guide (P2313).