‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Between 2009 and 2012 Artsadmin worked with Town Hall Hotel & Apartments, a five star hotel in Bethnal Green’s Grade II-listed Old Town Hall building, to commission two major series’ of artworks by local artists.

Aine Phillips, Documentation 2011: Disc 2 includes Redweight Video, Art of Love(War) images and booklet. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)

Aine Phillips, Documentation 2011: Disc 1 includes The Declaration (2 photos), Harness (1 photo), Lost Runway Workshop, Redweight, Redress, and her dissertation “Live Autobiography”

Charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes.

This item is referenced in the Making Routes Study Room Guide (P1964).

PDF collection of gallery based and site specific work by Michelle Browne. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)

Suggests organizing principles, innovative strategies, methods and exercises for making theatre in a variety of contexts and locations, and through examples, case studies and projects develops distinctive theoretical insights into the relationship of site and performance, scenario and scenography.

Excerpts from performances Still/Desire (2005),  Imbolc (2008) and Raven (2010).