Between 17/09 and 4/10 2009, the artist invited a musician, an unemployed person, a squatter, a protester, an activist, an artist, a racist and an anti-racist, and others, to spend a day in the Künstlerhaus Bethanien. This book was published in conjunction with the exhibition and documents each individual’s daylong occupation of the gallery space.

Documentation from Bowery’s 1988 performance at the Anthony d’Offay Gallery

27:18

Nando Messias engages with representations of effeminate men and the queer body.

6:15

A collection of filmed work, celebrating the 30th anniversary of Troubleyn. Contains 17 DVDs and a 48 page booklet.

English and French subtitles.

Contains: Jan Fabre beyond the artist (documentary, 52′);  Le pouvoir des folies théatrales (257′), Drugs kept me alive (73′),  Preparatio mortis (51′), Les années de l’heure bleue (documentary, 32′), Prometheus Landscape II (94′), Pietas (documentary, 26′), Orgy of tolerance (103′), From the feet to the brain (documentary, 26′), Requiem for a metamorphosis (116′), Jan Fabre au Louvre (documentary, 47′), Another sleepy dusty delta day (56′), L’histoire des larmes (101′), Quando l’uomo principale è una donna (51′), Je suis sang (93′), My movements are alone like streetdogs (33′) + additional content

The artist ’s most audacious, ambitious and large-scale live work to date, combining improvised performance with live streaming technology, video and random interactions with audience members.

The Southbank Centre and Toynbee Studios (2014).

46′

This video was part of LADA Screens, and was available online from 9 September 2015 to 30 September 2015

Immersive theatrical experience exploring the complex and ambiguous relationship with water. In collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton.

18 October 2012 at Govanhill Baths. 52 minutes.

One-to-one promenade performance that spread across unused spaces in The Arches, a multi-use performance space in Glasgow. Howells led participants in a journey through fourteen sites and 'confessed' to them an autobiography.

Arches Live, 2007.

68 minutes.

Four monologues, interspersed with game-show antics requiring audience participation.

53 minutes. Unknown date.

Report from the event held on Friday 29 January 2016.

This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.

In misc folder 5A.

Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.