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Theatre and History
Artist/Author: Rebecca Schneider | Reference: P3017 | ISBN: 978-0230246614 | Type: Publication

This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.

acting Africa antitheatricality archive authenticity colonized colonizer dance dead diaspora directing director embodiment emotion Erika Fischer-Lichte evidence forgetting gender gesture Greek tragedy imitation liveness medieval theatre memory mimesis naturalism orator R. G. Collingwood recording reenactment repetition spectatorship temporality the deadness time vision William Shakespeare

The Only Way Home Is Through the Show: Performance Work of Lois Weaver
Editor: Lois Weaver and Jen Harvie | Reference: P2847 | ISBN: 978-1-78320-534-9 | Type: Publication

The book explores Weaver’s collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.

academy activism age ageing audience biography body career class collective community criticism dance desire directing documentation ephemera feminism femme gender Home lesbian love memoir methodology mother Peggy Shaw performance pleasure politics queer sexuality theatre

Unblancing Acts: Foundations for a Theatre
Artist/Author: Richard Foreman | Editor: Ken Jordan | Reference: P2090 | Type: Publication

A selection of essays and plays, including ‘The Cure’, ‘Film Is Evil: Radio Is Good’, ‘Symphony of Rats’, “What Did He See?’ and ‘Lava’, foreward by Peter Sellars.

actors directing visual composition

Frightening the Horses
Artist/Author: Lois Keidan | Reference: A0495 | Type: Article

An Interview with Neil Bartlett. This article can be found in Miscellaneous Articles 3 Binder

audience directing Dominic Johnson Duckie experimental gender Hammersmith history identity identity politics independent LGBTQ live art Lois Keidan London National Theatre performance playwright queer race

Transnationality and Directing
Artist/Author: Olusegun Ojewuyi | Reference: A0024 | Type: Article

On the burden of race, culture, and imagination.

Africa black directing race racism theatre

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