The first-ever biography in English the most influential performer and choreographer of the 20th century.
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
The book explores Weaver’s collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.
A selection of essays and plays, including ‘The Cure’, ‘Film Is Evil: Radio Is Good’, ‘Symphony of Rats’, “What Did He See?’ and ‘Lava’, foreward by Peter Sellars.
An Interview with Neil Bartlett. This article can be found in Miscellaneous Articles 3 Binder