Seeks to question ideas of legitimisation of the artist through publication.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Surveying 25 years of the artist’s practice.
Documetation of the artist’s performance at the ICA, London, 1994. This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)
A Study Room Guide on eating and dining as explored in performance
Oreet Ashery, Larissa Sansour Ashery, Paul Wolf, Melissa Wolf
Action art in Berlin’s government district, from Christoph Schlingensief to the Center for Political Beauty.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Publication to coincide with exhibition, Zagreb, 2013
From the Subversive Affirmation edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Introduces the reader to Bobby Baker’s latest piece, which was commissioned by the London International Festival of Theatre in 1993.
From the British Live Art: Essays and Documentation issue.