Mapping Cultural Identity in Contemporary Australian Performance

Artist/Author: Tania El Khoury | Reference: A0940 | Type: Article

Next Wave Festival 2014 Magazine : New Grand Narrative

Pg. 32

Oral Histories of the Revolution,  Tania El Khoury

 

Artist/Author: Nizan Shaked | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0934 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Artist/Author: André Stitt | Editor: Blair French | Reference: P4228 | ISBN: 978 1 920781 36 1 | Type: Publication

Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.

Artist/Author: Fatimah Asghar, Sabba Khan, | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0924 | Type: Article

shado Issue 02: Global Womxnhood

Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

Artist/Author: Dolly Sen | Reference: P4219 | Type: Publication

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45