This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Artist / Author | Cyril Kuhn (Ron Athey) |
---|---|
Reference | V0531 |
Digital Ref | EV0531 |
Date | 1970 |
Type | Digital File |
This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.
Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.
A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health
On Ageing (&Beyond)
Performance Research Volume 24 Issue No 3 April/May 2019
pg 40-48
Contemporary Theatre Review Volume 31 Issue Number 3 August 2021
Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.
DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47
DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Letter To My Little Queer Self (LTMLQS) is a collection written by invited contributors in their words and in their own styles. LTMLQS is the third publication from hotpencil press. hotpencil press was stablished by Libro Levi Bridgeman and Serge Nicholson in 2009. Foreword by performer and comedian Krishna Istha.
This book is Derek Jarman’s own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden’s complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman’s life in Dungeness: walking, weeding, watering, or just enjoying life.
Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić
On diffractive Co-conspiracy in Queer, Crip Live Art Production.
Performance Research pg 92-100, On Diffraction, Volume 25, No 5, July/August 2020.