Connecting Words : A Fanzine for Bethnal Green

Video documentation of ‘Passion Play’, an event curated and presented by Daniel Oliver, in collaboration with Access All Areas and LADA, on 1st August, 2025 at The Garrett Centre.

Included in the footage is: performances by graduating and former students from Access All Area’s ‘Performance Making Diploma’: Bruno De Ceita Pedro, Jacob Dean, Claire Dunbar, and George Webb, an introduction from Oliver and Dean, and a Q&A.

The event was funded through the Royal Central School of Speech and Drama’s knowledge exchange funding.

This is a video file and includes closed captions. Filmed and edited by Claire Nolan.

An interview with Lois Keidan on the history of the Live Art Development Agency, recorded in 2019 to mark LADA’s 20th Anniversary.

Video documentation of an online artist talk given by Miranda Whall on 4th July, 2022. This conversation followed an online screening of Miranda Whall’s film Crossed Paths – Scots Pine (2022). Following the talk, there is a Q&A with the artist led by Chinasa Vivian Ezugha.

Crossed Paths – Scots Pine (2022) is a film documenting the artist crawling through the centre of Glasgow to the area hosting the COP26 United Nations Climate Change Conference in November 2021, carrying a 6-year-old potted Scots Pine on her back.

Maska 196-197 summer 2019 edition on Re/De-Generation. In Slovenian and English.

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

shado Issue 02: Global Womxnhood

Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.

This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.

A booklet with information, event and workshop listings for Queer Ecologies at Tower Hamlets Cemetery Park held in 2021.

This book is Derek Jarman’s own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden’s complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman’s life in Dungeness: walking, weeding, watering, or just enjoying life.

Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.

“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”

The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.

Edition 60/70

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two ways of knowledge together.