Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

In this article, the author contends that politically themed one-on-one performances provide value because their budgets do not fit into a comfortable capitalist model of exchange. To be found in Miscellaneous Articles Folder #4.

A limited edition set of thirteen beautifully designed cards, each by a different artist. The thirteen artists have come together to create a programme of imaginary events for the Battersea Arts Centre’s Grand Hall, destroyed in a major fire in march 2015, to help contribute to the rebuilding process and to celebrate the building itself.

Drawing on examples both past and present, the authors use the concept of turbulence to investigate trans-historical patterns in the dynamics of the urban crowd.

Complete with case studies, exercises and questions for further study, the book introduces students to the work of disabled artists and their allies, and explores artful responses to living with physical, cognitive, emotional or sensory difference.

This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.

A collection of writings and photographs on performance and ecology providing a comprehensive catalogue of the productions and companies developing this field.

Text for a work originally performed in August 1988 as “The Return of the Horse to the Riding School” in the Manege – Saint Petersburg’s Central Exhibition Hall which was once the Imperial Riding School – during the Second Festival of Experimental Art and Performance