Includes:

Traversee (2004), Morsures (2004), Bleu Provisoire (2001), Coeur Affome (1997), Autoportrait dans une fourmilere (2003).

Inhabits a liminal space, hovering somewhere between reverie and spectacle, hesitantly attempting to map the troubled psychic territory of our millenarian obsessions, anxieties, daydreams and nightmares.

London, May 2004.

Offers an accessible introduction to post-war avant-garde performance.

Reflects the body as source of language, the image as the parameter of expression and the sound (such as noise, language) as medium of meaning.

Considers how the artist’s ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan’s surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation.

Seperate article in folder

Pulls together a diverse selection of artists whose work embraces the possibilities of personality and appearance, racial and sexual stereotype, role-playing and reality.

Features text by Live Art Development Agency.

*currently unavailable*

Dissertation

XXXmissing. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)