Catalogue > By Keyword > NRLA
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Documentation of completed works
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
rightsrepeated—an act of memory (part 2)
A recitation of the Universal Declaration of Human Rights as an act of memory.
National Review of Live Art, February 2008; Disc 2 of 2, see REF. D1101/D1102.
National Review of Live Art 2008: Exit Strategy (Part 2)
Images and stories from the end of the Carbon Era. Video documentation of the National Review of Live Art 2008. Disc 2 of 2, see REF. D1107/D1108.
National Review of Live Art 2008: Exit Strategy (Part 1)
In On The Act (Part 2) - Performing Rights Glasgow (24)
Explores the role of the international researcher in communicating information about the Rwandan genocide to non-Rwandan audiences. National Review of Live Art, 10 February 2008.
Disc 2 of 2, see REF. D1105/D1106.
In On The Act (Part 1) - Performing Rights Glasgow (23)
National Review of Live Art 2008 - The Problem Is The Solution (Part 2)
Glasgow based artist/activist presents the findings from years of research and development that will enable the future to happen (T1, Tramway, Glasgow, 10 Feb 2008, 16.00 – 17.00). Disc 2 of 2, see REF. D1103/D1104.
National Review of Live Art 2008 - The Problem Is The Solution (Part 1)
Glasgow based artist/activist presents the findings from years of research and development that will enable the future to happen (T1, Tramway, Glasgow, 10 Feb 2008, 16.00 – 17.00). Disc 1 of 2, see REF. D1103/D1104.
National Review of Live Art 2008 - You Are Here…But Where Am I?
Participants co-create a new passport. Video documentation of NRLA (National Review of Live Art) 2008; 10 Feb 2008
rightsrepeated—an act of memory (part 1)
A recitation of the Universal Declaration of Human Rights as an act of memory.
National Review of Live Art, February 2008;
Disc 1 of 2, see REF. D1101/D1102.
