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Catalogue > By Keyword > affect

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Archivi Affettivi / Affective Archives

Editor: Marco Pustianaz, Giulia Palladini, Annalisa Sacchi | Reference: P2169 | ISBN: 978-88-98269-01-3 | Type: Digital File

Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.

Trashing Performance,Under- and Overwhelmed: Emotion and Performance, Keynote

Artist/Author: Gavin Butt, Adrian Heathfield, Lauren Berlant | Reference: D2104 | Type: DVD

Trashing Performance Talks. Under- and Overwhelmed: Emotion and Performance (Part 1)- the second year of Performance Matters – 25-29th October 2011.

The Female Complaint: The Unfinished Business of Sentimentality in American Culture

Artist/Author: Lauren Berlant | Reference: P1781 | ISBN: 978-0-8223-4202-1 | Type: Publication

Part of Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification.

Tearjerkers and Mindgames

Artist/Author: Luk Van den Dries | Reference: A0402 | Type: Article

On Emil Hrvatin’s theatre work.

Theatre and Feeling

Artist/Author: Erin Hurley | Editor: Jen Harvie and Dan Rebellato | Reference: P1536 | ISBN: 9780230218468 | Type: Publication

Part of Palgrave Mcmillan’s ‘small books on theatre and everything else’ series, co-edited by Jen Harvie and Dan Rebellato.

Performing Idea: Dialogue Project: Moving - Writing

Artist/Author: Adrian Heathfield, Jonathan Burrows | Reference: D2104 | Type: DVD

Performance Matters Performing Idea Dialogues,Toynbee Studios 04.10.10:Choreographer Jonathan Burrows and writer and curator Adrian Heathfield have developed a dialogue around the relationship between writing and dancing. They were interested in exploring the creative tension between the distinctive affects of embodied actions and spoken words, investigating their different roles in the making and receiving of meaning. They were fascinated by those moments of intensity – unforgettable yet unspeakable – where something of life is disclosed between sense and sensibility. What are the relative weights of gestures and words in a performance space? How can each open to the other? What place does music occupy in a negotiation between muted movements and sonorous words? What might be some principles of composition for a generative relation between creative writing and choreography?

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