!-- Meta Pixel Code --> Skip to main content

The Falls Fell

Notes

A short text and image piece by artist Kira O’Reilly, accompanied by a photo of O’Reilly’s “Menopause Gym.”

Artist / Author Kira O'Reilly
Editor David Caines, Mary Kate Connolly
Reference P0946
Date 2025
Journal COMPOST
Journal date 2025
Journal name Accidents and Emergencies
Type Article

Keywords

Similar items

Neurotransgressive Performance Methodologies 1: Slow falls in the wrong direction

Artist/Author: Daniel Oliver | Editor: David Caines, Mary Kate Connolly | Reference: A0951 | Type: Article

From the artist: This is a neurodivergently true story about neurotransgressive performance (which I call proper performance). It contains some magic green liquid and a bit of an accidental erection.

TransMission: Sissy TV

Artist/Author: Nando Messias | Editor: David Caines, Mary Kate Connolly | Reference: A0949 | Type: Article

"TransMission: Sissy TV" is an exploration of the idea of trans archives. And auto-archive of the artist's body, work, costumes, props, hopes, dreams and memories accumulated over nearly three decades of creating queer work.

Fallen Women

Artist/Author: Anne Bean | Editor: David Caines, Mary Kate Connolly | Reference: A0947 | Type: Article

A compilation of images by Anne Bean from Dubinski notebooks. 

Blood Show

Artist/Author: Ocean Stefan | Editor: David Caines, Mary Kate Connolly | Reference: A0944 | Type: Article

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Women become plants

Artist/Author: Eirini Kartsaki | Editor: David Caines, Mary Kate Connolly | Reference: A0942 | Type: Article

Article and performance photos from artist Eirini Kartsaki.

Things That Go Through Your Mind When Falling

Artist/Author: Forced Entertainment | Editor: Adrian Heathfield | Reference: P4306 | ISBN: 978-3-95905-385-3 | Type: Publication

Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comcial failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life.

Fearing the Black Body

Artist/Author: Sabrina Strings | Reference: P4301 | ISBN: 9781479886753 | Type: Publication

Sabrina Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals–where fat bodies were once praised–showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority.
Fearing the Black Body argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. An important and original work, it reveals that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

Sonia Boyce

Artist/Author: Elena Crippa | Reference: P4300 | ISBN: 9781849769501 | Type: Publication

Sonia Boyce (b.1962) is a groundbreaking artist whose practice is founded on taking creative risks. Unafraid to play against set expectations about how art should behave, her collaborative interactions between audience and performer enable spontaneous and intimate social encounters, resulting in the creation of work that is simultaneously self-aware, visceral and open-ended.

This book is a much-anticipated introduction to the life and work of this extraordinary artist. Touching on her engagement with the work of other feminist artists and her time as a leading figure in the 1980s Black British Art movement, it contextualizes Boyce’s journey from her early pastel drawings and collages to her pivotal shift to film, sound, and performance art. Highlighting her artistic innovation as she experiments with medium to explore and question culture, identity and the boundaries between the public and private spheres in unexpected ways, it celebrates the visionary practice of a truly uncompromising artist.

O que é performance? 31 programas performáticos para confudir a pergunta

Artist/Author: Eduardo Bruno & Maria Valdênia | Reference: P4299 | ISBN: 9788542017571 | Type: Publication

What is performance? 31 performative programs to confuse the question.

 

Both in English and Spanish.

PERFORMANCE NO BRASIL HOJE

Artist/Author: Eduardo Bruno e Vitória Vaz | Reference: P4298 | ISBN: 9788542018530 | Type: Publication

Por que falamos em arte nordestina ou arte nortista, mas raramente ouvimos a expressão arte sudestina para nos referirmos às produções do Rio de Janeiro ou de São Paulo, por exemplo? Essa pergunta, aparentemente simples, revela muito sobre o modo como o Sudeste foi historicamente alçado, e se impôs à condição de centro normativo da cultura brasileira. A produção artística dessa região costuma ser tomada como “a arte brasileira”, dispensando adjetivos regionais, enquanto as produções do Norte e do Nordeste foram historicamente enquadradas nas margens, exceções ou exotismos dentro desse panorama…

Molloy, Malone Dies, The Unnamable

Artist/Author: Samuel Beckett | Reference: P4283 | ISBN: 0-7145-1053-X | Type: Publication

The trilogy of novels by Samuel Beckett is his best known work outside the theatre, dating from the same period as Waiting for Godot, and as such is central to the main body of his work. This new edition has been corrected from the errors that appeared in some previous editions. Many people believe it to be the most important volume of prose in the English language after Joyce’s Ulysses, although written originally in French, a language that the author adopted to escape from the richness of Irish speech rhythms.

 

Most critics today consider the trilogy to be Beckett’s major achievement, more controlled than the brilliant early work, more easily readable than the complex How It Is and the later plays and texts. Malloy has two parts, the parallel narratives of the old Molloy, passing time by telling himself stories and remembering his past journeys, and of the waspish Moran, a private detective sent to find him, whose deterioration during his quest bears a strange similarity to Molloy’s. Malone Dies appears to be a continuation of Molloy’s narrative, only this time the speaker knows that the end is almost at hand. The additional poignancy of the stories he tells himself is largely related to the sense of time running our, and the prose seems heightened from the earlier book. In the third novel The Unnamable, the narrator, again under a different name or names, is aware of the approaching silence and tries to keep it at bay with thoughts, reveries, stories and inventions. The prose undergoes a complete change as we find ourselves listening to the sounds of panic, written in a punctuation of the human breath that the narrator has ever greater difficulty in drawing into his lungs, while the mind races giddily ever faster. The end is terrifying, bu t finishes, strangely, on a note of hope. Molloy has been translated by Patrick Bowles in collaboration with the author, the rest of the trilogy by Mr Beckett himself.

A sampler.

Artist/Author: Quarantine | Reference: P4280 | Type: Publication

This book is a sampler of Quarantine’s work since we started in November 1998. Every word and image is from our archive. Some of the material originated with us, the rest was written or spoken with us, the rest was written or spoken by others. The pages may seem disparate, contradictory even; they are fragments of over 20 years, more projects, many voices.

 

We’ve realised over the years that our work is a form of portraiture. This sampler is a kind of self-portrait of Quarantine.

Donation

£