All documents held in a brown paper envelope, labelled ‘Soro Performance Unit’. SORO means ‘The land contains the seed’ or ‘small road’ – it is intended to question the background to contemporary art activity from the perspective of human activity.
|Artist / Author||SORO Performance Unit|
Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.
Catalogue for the Kunstsammlungen Chemnitz exhibition Andy Warhol: Death and Disaster, curated by Heiner Bastian. November 2014 – February 2015.
A small publication based around the 'My Home is my Museum' project, which looks at the personal treasured objects that reside in our homes and from which we create our personal narratives.
From 1972-1991, Eleanor Antin created multiple personae of different genders, races, professions, historical contexts and geographical locations. This book, issued in conjunction with a 2013 exhibition at the Miriam and Ira D. Wallach Art Gallery, explores these works
A detailed study of the role women artists played in the develpment and expansion of performance art
Documenting Alain Arias-Misson's 'public poem' projects over the last 45 years. With an essay by Roger D'Hondt
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux
Catalogue of Alice Anderson's 'From Dance to Sculpture' exhibition.
Extensive documentation of Ai Weiwei's project 'Fairytale' where the artist invited 1001 participants to live their own Fairytale for 28 days.