Reversed pagination – right to left
| Artist / Author | Yan Duyvendak and Nicole Borgeat |
|---|---|
| Reference | P1076 |
| Date | 1970 |
| Type | Publication |
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
Provides a comprehensive overview of the development, theory and definitive characteristics of a rapidly developing and popular area of practice.
Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue with documentation from the installations in Cardiff, Portsmouth, Derry, London and Berlin.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Written by The People Show's longest standing and original member, the publication chronicles a very other, non-mainstream way of making art, of living and breathing this art and all that it stands for, during the course of 50 years.
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
Exhibition publication. 10 March – 22 April 2016, TheGallery, Arts University Bournemouth.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
Short film of the performance. Filmed at Duh? Art & Stupidity show at Focal Point Gallery, Southend on Sea, November 2015.
3:11
Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten.
This catalogue documents the multimedia performance project “Situation Rooms” – a multiple simultaneous cinema, augmented reality, and three-dimensional theatre experience.
Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.