A critical approach towards images of identity and femininity currently circulating in Japanese popular culture.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
The volume is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists–painters, poets, musicians, dancers, actors, video-/filmmakers–in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance.
Collection of photographic portraits taken by Ulay between 1970 and 1993
Catalogue from the Gillian Wearing exhibition at the Whitechapel Gallery London 2012 providing an overview of the artists works from 1992-2010. See also: D1856 Gillian Wearing DVD
Takes the khusra communities of Lahore, the artist, his mother and the spectators into a space where gender is negotiable.
Presents photographically based artworks – portraits, self-portraits, and photomontages in which the gender of the subjects is highlighted through performance for the camera as well as through technical manipulation of the image.
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.
Introduction and texts by Jean Fisher
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)