Video recordings of the open forum presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.

Video documentation of a performance and publication project about the UK female to male transgender experience based on real life stories. Presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.

Short performance for camera documenting the duo of sibling’s art of the lived experiment.

Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman. 

Review of performances from the Sydney Gay and Lesbian Mardi Gras at Performance Space, Carriageworks, Sydney, 13-15 Feb.

The author reviews the performances presented at PuSh Festival 2014, Vancouver.

Helen Cole, artistic director and chief executive of London’s In Between Time Festival, talks about the distinct curatorial strategies required for visual art and performance.

This interview explores connections within editor Bonnie Marranca’s work and considers the way in which it has developed in conversation with artists in and around New York.

In this article, Tom Sellar begins to define the mercurial role of the performance curator that has been emerging at the intersections of theatrical practice and the visual arts and their presentation.

Collection of video documents of the Swedish performance artist’s work.