This article speculates about the new kinds of historical information that performance scholars may be able to preserve as a result of recent innovations in web archiving.

Guillermo Gómez-Peña talks viral infection, nomadic performance, immobility, psychomagic performance, and convalescence.

This book investigates the daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama.

A short film mixing animation, live-art, spoken word and an original soundworld to challenge the absence of disability art. 

The publication is constructed around the two works, Capitol Complex (2012–2014) and Ulterior Vistas (2012–2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages. Format hardback: + 10″ vinyl record. Printed in an edition of 500.

Written by Simon Casson, producer of Duckie, this is a polemic letter responding to the consultation towards the McMaster Review for James Purnell and the Department of Culture Media and Sport, condemnning the state of art-funding.

Catalogue for the festival exploring the physical, mental and social challenges of life and death and how we survive them (or not), in venues across Brighton & Hove, Manchester and Salford, 2-25 march 2015. Includes performances synopsis, commissioned essays, debates, literarure, films programme and information.

This publication serves as a brief summary of the five commissions which comprise the IN project 2012 – 2015.

A collection of postcards designed by Katayoon Forouhesh, each representing an imagined performance conveived by 14 Iranian and British independent artists. Part of ABOVE, a festival of imagined performances on rooftops, conceived and curated by Andy Field (Forest Fringe, UK) and Iranian artist-producer Nima Dehghani.

A collection of texts supporting the centra question of this performance project: “What would have happened in 1963 if someone from the voguing ballroom scene in Harlem had come downtown to perform alongside the early postmoderns at Judson Church?”.