Designed to be performed in a sheltered outdoor civic space, Small Metal Objects seeks to realise the inner realm and simultaneously re-interpret the exterior urban environment as a new performance landscape. Running time 45 minutes.

Text in German and English. The Inner Voice features works by Asta Groting, with texts by Tim Etchells, Deborah Levy and Stella Rollig

Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.

Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.

For more on Niko Raes’ work, go to www.bodyrefuse.be. Niko Raes is an Antwerp-based artist. Working with his own body in Live Art, Photography, Video and sculpture.

Point. 1: I was just listening to Radio 4 telling me about komodo dragons laying virgin birth eggs, and David Attenborough once taught me about a plant at the bottom of a sea that grows flowers, which become jellyfish, that then give birth to seeds that become plants.

Point. 2: I am a makeshift domestic goddess and my life is in a makeshift world, I’ve got all the right whisks and piping bags, but my apron is stained.

If You Want Bigger Yorkshires You Need a Bigger Tin is a show about Lucy’s ‘to trans, or not to trans’ search for her femininity.

This work is part of a project ‘Life in Bytom’. which was presented at the CSW Kronika in Bytom, Poland, between 24 November 2012 and 26 January 2013. Duration, 27 minutes. Polish with English subtitles.

herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.

Critical Art Ensemble is a collective of tactical media practitioners of various specializations, including computer graphics and web design, film/video, photography, text art, book art, wetware, and performance.