Part of the two-day public programme reflecting the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematicised issues of disability in innovative and radical ways.

Digital Reference refers to folder containing 5 movies. British Library recording (see also Manuel Vason footage, EF5043)

Programme from the Oct 2010 convention, Hong Kong Arts Centre.

Exhibition publication.

Documentation from a performance site which was previously a church.

25th anniversary of the Puppet Festival, mainly in Catalan

Includes: Lazy Student Too Apathetic To Get A Job Please Give Generously; Things #1; I Can’t Get No Consumer Satisfaction!; I Await Your Swift Reply; Postal

This performance is centred around a series of re-enacted performances based on the works of the late American artist Stuart Sherman (1945 – 2001), a seminal though underexposed figure in the history of performance art.

This publication responds to and takes its name from a tour of the Cambridge night devised by artists Townley and Bradby. The tour took in places, ideas and patterns of nocturnal behaviour within Cambridge city centre. It was part of Nightjar curated by Jo Mardell, a series of temporary artworks and encounters between dusk and dawn in October 2009.works and encounters between dusk and dawn in October 2009.

three accounts by three artists of one project – a series of performances and walks in Southend-on-Sea (AKA Southend-on- River) that took place in September 2009.

A short journal arguing for Live Art in the national curriculum circa 1990s