How do artists and curators imagine the audience in their work? How do they weave a picture of the individual viewer’s mental, physical, and emotional experience into the production of art events and what impact do these conceptions have on the finished artworks or exhibitions? Which new perspectives are useful in explaining the changes that have occurred in the art field and the concomitant new viewing positions? These are some of the questions that are the basis for Imagining the Audience.
Text in Swedish and English.
Writings around the incorporation of pedagogy into art and curatorial practice.
Interviews with artists by students from the MA Curating Contemporary Art at the Royal College of Art
A look back on the challenges encountered by the curators of VITAL and Vital Signs, a three-month contemporary arts festival and a one-day symposium held in Nottingham.
Documenting exhibitions at the LAB Gallery.
A short essay on curating and philosophy.
A series of events held at East Street Arts.
Performance Matters: Performing Idea – Performative Writing
8th October 3.00-7.30pm
Panel discussion with RoseLee Goldberg, Carlo Lamagna, Rob Storr, Chrissie Iles and Joan Jonas
Publication dedicated to pioneering curators; presents a collection of interviews.