Artist/Author: kane stonestreet | Reference: EF5415 | Type: Digital File
(dis)closure (2025) is a performance by kane stonestreet at CEREMONY, a festival from Future Ritual. The documentation was screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.
Writer and academic Dominic Johnson hosts a rare UK appearance by the US (French based) artist Skip Arnold. They screened a selection of Skip’s videos and other documents, and discussed the body, duration, intervention, commitment, and documentation.
Artist/Author: Sam Čermák | Editor: Amelia G. Jones and Marsha Meskimmon | Reference: P4319 | ISBN: 9781526190697 | Type: Publication
This book traces the early history of performance art in the former Czechoslovakia, which developed in the 1960s and 1970s amid the Prague Spring and the subsequent Normalization period marked by censorship, prosecution, and state pressure on artists.
Artist/Author: The Hologram | Reference: P4315 | Type: Publication
The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.
Artist/Author: Susan Croft, Jane Arden, Pan Gems, Hesitate and Demonstrate, Melissa Murray, Natasha Morgan, Winsome Pinnock | Reference: P4314 | ISBN: 978-3-945247-36-5 | Type: Publication
This collection brings together six seminal works of British alternative feminist and women’s theatre from the archive, with a contextual introductory text by Dr. Susan Croft, co-founder of Unfinished Histories.
Artist/Author: Daniel Oliver | Editor: David Caines, Mary Kate Connolly | Reference: A0951 | Type: Article
From the artist: This is a neurodivergently true story about neurotransgressive performance (which I call proper performance). It contains some magic green liquid and a bit of an accidental erection.
Artist/Author: Forced Entertainment | Editor: Adrian Heathfield | Reference: P4306 | ISBN: 978-3-95905-385-3 | Type: Publication
Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comcial failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life.
