The Clandestine Histories of the OHO Group

This book traces the early history of performance art in the former Czechoslovakia, which developed in the 1960s and 1970s amid the Prague Spring and the subsequent Normalization period marked by censorship, prosecution, and state pressure on artists.

A visual diary zine of the Chines photographer SickGirl’s (@eeriesickgirl) Exile Route between 25 Dec 2023 and 16 Nov 2024.

A collection of poems and drawings self-published by political theatre maker Maya at an important period during their life and inspired much of their later work.

The Hologram is a feminist health militia that produces networks where we can practice skills like trust, communication, and cooperation that will help us outlast capitalism.

“This new work ‘Care Zine’ came from conversations about our practises, realising at the heart of it we are centred on care for our communities in an ever precarious and changing world. Through zine making as self expression and a cathartic art form, we realised participants benefited from the space to make and play and that play and freedom were a great part of caring from each other."

A live art work and archive book exploring fetish, female eroticism, and symbolic violence through a spatial intervention at a KTV in Chinatown.

From the artist: This is a neurodivergently true story about neurotransgressive performance (which I call proper performance). It contains some magic green liquid and a bit of an accidental erection.

"TransMission: Sissy TV" is an exploration of the idea of trans archives. And auto-archive of the artist's body, work, costumes, props, hopes, dreams and memories accumulated over nearly three decades of creating queer work.

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comcial failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life.

Based on The Search for Power lecture-performance, this book contains the performance script, designed archival documents, and reflections by the collaborating artist and historian.