British Library Sound Archive recording and documentation of the “Performance Matters event on 30 April 2010. Evening launch event featuring Walid Raad, Irit Rogoff, Gavin Butt, Adrian Heathfield and Lois Keidan. Four of four (D1316 – D1319).
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Examines fandom as a set of practices for approaching and writing about art.
Documentation of the event considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
On observing the Wooster Group process.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.