In the Name of
Notes
English & Greek. Accompanied by DVD, REF. D1131. Catalogue accompanying homonymous exhibition presented at the 1st Contemporary Art Biennale of Thessaloniki (22 September – 11 November 2007).
Artist / Author | Leda Papaconstantinou |
---|---|
Publisher | Contemporary Art Center of Thessaloniki |
ISBN | 978-960-89041-3-2 |
Reference | P1214 |
Date | 2007 |
Type | Publication |
Keywords
Similar items
LADA Screens Rosalind Fowler Isik Sayarer and Eva Knutsdotter in conversation
Video documentation of an online artist conversation with Rosalind Fowler, Isik Sayarer and Eva Knutsdotter in December 2021. This conversation followed an online screening of BREADROCK, I feel like doing this, a film by artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler.
BREADROCK, I feel like doing this is a visceral homage to cultural history, memory and universal myth. Melding experimental and ethnographic filmmaking, the work presents a series of staged vignettes drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities, to create new kinships, myths and culture.
Book Launch Final Transmission: Performance Art and AIDS in Los Angeles
Video documentation of an online book launch and discussion marking the publication of the 6th issue of NS*, “Final Transmission: Performance Art and AIDS in Los Angeles” on 1st May, 2021.
Featuring editors Brian Getnick and Tanya Rubbak, and contributors Chris Freeman, Alexandra Juhasz, Sheree Rose, Marcus Kuiland-Nazario, Ruben Esparza and Philip Littell, for a wider discussion about AIDS, performance art and crisis.
NS, the performance art journal of Los Angeles, is a 6 volume archive of performance art production in LA from 2011 to 2016.
View the book Final Transmission: Performance Art and AIDS in Los Angeles in our catalogue here
100 Ways to Consider Time : An Evening with Marylin Arsem
Audio documentation of an evening considering durational performance art with Marilyn Arsem on Friday 18th April, 2025 at The Garrett Centre.
For this special event, Marilyn presented an artist talk reflecting on her body of work and sharing her research on performance art and time. Following the talk, there was a Q&A chaired by curator Joseph Morgan Schofield.
This event was part of CEREMONY: A Festival of Performance, presented by Future Ritual, in April, 2025.
Artist Series: Sonia Boyce
An essential introduction to the life and work of Sonia Boyce, a leading contemporary artist whose interdisciplinary practice explores artistic authorship and the creative potential in unexpected play.
Burlington Contemporary Journal Issue 8: Drawing
This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.
Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg.49-57
Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.
Elmgreen & Dragset : Inconvenient Truths
Art Review Issue 26 / October 2008
pg. 74-81
Feature on Elmgreen & Dragset : Inconvenient Truths
Leaving Berlin : On the Performance of Monumental Change
Performance Research Vol 6. No. 1. Spring 2001
Departures
The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.
Leaving Berlin : On the Performance of Monumental Change
Nicolas Whybrow
pp. 37 – 45
Between Journeys : an Interview with Lee Wen
Performance Research Vol 6. No. 1. Spring 2001
Departures
The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.
Between Journeys : an Interview with Lee Wen
Woon Tien Wei
pp. 3 – 7
Delaine Le Bas : Secession
A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.
Languages: German, English
Aesthetic Taiwan
Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?
-Referring to the changing face of British Live Art.
Research study by Catherine Jiang.
Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.