Christophe Meierhans Christophe Ragg city documentation Europe Heike Langsdorf participation performance performance art Sébastien Hendrickx urban

1970s 1980s 20th century activism Adrian Piper Alison Knowles America Ana Mendieta Anne Gauldin Anne Mavor archive autobiography Aviva Rahmani Barbara Smith Betsy Damon body Bonnie Sherk Candace Compton Carolee Schneemann Cheri Gaulke chronology Chutney Gunderson Denise Yarfitz Dianne Torr Donna Henes Eleanor Antin Elizabeth Sowers Faith Wilding female female body feminism feminist gender Hannah Wilke Helen Harrison Ida Applebroog identity Ilona Granet Ingrid Sischy Jacki Apple Jamie Wildman-Webber Jerri Allyn Jill Scott Joan Jonas Judith Barry Judy Chicago Kathleen Chang Laurel Klick Laurie Anderson Leslie Belt Leslie Labowitz-Starus Linda Montano Lynn Hershman Marth Wilson Martha Rosler Mary Beth Edelson Mary Fish Mary Jane Jacob Meredith Monk Mierle Laderman Ukeles Mother Art Nancy Angelo Nancy Buchanan Nancy Youdelman Norma Jean Deak nudity Patti Nicklaus Pauline Oliveros performance performance art photographs politics Poppy Johnson race Rachel Rosenthal representation ritual Sandra Orgel second-wave feminism sex sexuality Sheila de Bretteville Simone Forti suffrage Susan Mogul Suzanne Lay The Feminist Art Workers The Waitresses Theodora Skipitares Tina Girouard Ulrike Rosenbach USA Vanalyne Green women Yvonne Rainer

action Agnes Nedregård Alastair MacLennan André Stitt Andrea Pagnes Artur Tajber Bartolomé Ferrando Boris Nieslony Brian Connolly Bruce Barber Carlos Tejo Chumpon Apisuk Coco Fusco communication education Esther Ferrer Guadalupe Neves Gustavo Álvarez Lugo Helge Meyer higher education institutions Joakim Stampe Johanna Householder József R. Juhász Jürgen Fritz Laura Levin Lorena Orozco Lucia Agra Maja Horn Marylin Arsem methodology Michel Collet Naira Ciotti Natalie Loveless Nieves Correa pedagogy Pekka Luhta performance performance art Richard Martel Rocio Boliver Roi Vaara Sandra Johnston Seiji Shimoda Tanya Mars texting theory Tomas Ruller Tran Luong Trisha Lamie Valentín Torrens Valentine Verhaeghe Verena Stenke Wen Lee Willem Wilhelmus workshop

Europe European installation Netherlands performance performance art Peter Baren

Alain Arias-Misson documentation film language participation performance performance art performance poetry photographs poetry public public poem Roger D'Hondt street text urban visual poetry

Africa African diaspora Barry Maxwell Biennale of Contemporary African Art black Brent Hayes Edwards Cheryl Finley Claire Tancons colonialism Dak'Art 2004 David Hammons Derek Conrad Murray George Lewis Hudita Nura Mustafa identity installation Kellie Jones Manthia Diawara Maria Fernández Maria Magdalena Campos-Pons memory music Okwui Enwezor Pamela Z performance performance art place postcolonialism race Salah M. Hassan Sally Berger Selene Wendt site specific Soraya Murray sound art Tavia Nyong'o visual art

20th century Brion Gysin conversation cut-up technique interviews performance performance art Terry Wilson text visual art William Burroughs

Alastair MacLennan Andrés Galeano Anguezomo Mba Bikoro Antoni Karwowski archiving authorship Berlin Bonaventure Soh Bejeng Ndikung collaboration criticism ephemeral Essi Kausalainen Europe Germany ieke Trinks Ioana Muntenescu Jacques Van Poppel Jaime Schwartz Jelili Atiku Jens Brockmeier Juha Valkeapää Kimmo Modig knowledge Kurt Johannessen Lan Hungh Leena Kela Magnus Logi Kristinsson Marc Patrick Tchambou Márcio Carvalho Maurice Blok memory Nezaket Ekici Pauline Doutreluingne performance performance art Ruth Feukoua Serge Olivier Fokoua Shannon Cochrane Stefan Riebel theatre Tomasz Szrama Willem Wilhelmus

Alice Anderson bodies body childhood choreography dance documentation female installation James Putnam memory motherhood movement performance performance art photographs psychoanalysis ritual sculpture space time women

Ana Mendieta bodies body Cuba documentation Domenico Scudero Europe female feminism feminist history installation Irma Arestizábal Italy Lucrezia Cippitelli memory monograph performance performance art photographs political politics power religion Roberto Pinto Simonetta Lux Tania Bruguera text women