This is a film compilation of MAGAZINE EDITION 2, Hoyle's weekly live magazine nights with songs, interviews, dances, adverts and films with a weekly theme, presented by Duckie at the Royal Vauxhall Tavern.70 mins. Part of Access All Areas Screening Programme. Also available with subtitles as ED1123SUB. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

A collection of 24 photographs documenting a multitude of performance works that took place in Sydney’s Performance Space between 1982 and 2006.

Currently unavailable. This item can be found in the Blue Box in the Undersized Section (on the Green shelf).

Theron Shmidt in dialogue with Doran George and The Mourner’s Dance. Includes excerpts of correspondence between the writer and the artist.

Dance, Performance, The X-Event , expenditure of energy, site specific,For notes on the construction and diffusion of these performances see REF. P1173.

Includes: X-Event 1,Festival Faits d’Hiver, Paris, Théâtre l’ Echangeur, 12-13/01/2005; X-Event 2 (Vernissage), Centre d’Art Contemporain de Brétigny 5 February 2005; X-Event 2, Centre d’Art Contemporain de Brétigny, 8-12 February 2005; and an interview with the choreographers. For notes on the construction and diffusion of these performances see REF. P1173.

Images from the performance of X-Event at the Biennale de Lyon. For notes on the construction and diffusion of these performances see REF. P1173.

Artist’s portfolio.

Part of a research program divulging and documenting the work of Finnish artists. Including Vol. 1 and 2

Produced by Internationales Sommertheater-Festival Hamburg ’90. Photographic documentation by Carme Masià. Spanish and English.

Contributors: Holger Hartung, Nele Suisalu, Jaime Conde-Salazar, Julie Perrin, Rafael Sánchez-Meteos, Victoria Pérez, Isis Saz, Fernando Quesada, Alejandra Pombo Suárez, Superamas, Ixiar Rozas. Issue 11 of Cairon – Journal of Dance Studies, a periodic dedicated to dance, culture and new media. Published in Spanish and English.

As our computers become closer to our bodies, perspectives from phenomenology and dance can help us understand the wider social uses of digital technologies and design future technologies that expand our social, physical, and emotional exchanges.

This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

English and Japanese