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Native Strategies 4: Dispersions
Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5351 | Type: Digital File

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

A.L. Steiner Adam Overton Addie Tinnell archive Ashley Hunt audience club community documentation Elana Mann gallery Guan Rong history John Burtle Kate Durbin KCHUNG Matias Viegener museum Patrisse Cullors Patrisse Marie Cullors-Brignac performance art Robby Herbst Taisha Paggett USA

Native Strategies 3: Rituals & Congregations
Editor: Brian Getnick, Tanya Rubbak | Reference: P4069 | Type: Publication

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alexa Weir Amanda Yates archive audience Believe club community Cynthia Carr documentation gallery history Jane Brucker Liz Glynn museum performance art Rafa Esparza Samara Golden Samuel White Sanctify Signify Tanya Rubbak USA

Native Strategies 3: Rituals & Congregations
Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5350 | Type: Digital File

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alexa Weir Amanda Yates archive audience Believe club community Cynthia Carr documentation gallery history Jane Brucker Liz Glynn museum performance art Rafa Esparza Samara Golden Samuel White Sanctify Signify Tanya Rubbak USA

Native Strategies 1: So Funny It Hurts
Editor: Brian Getnick, Tanya Rubbak | Reference: P4067 | Type: Publication

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alice Cunt archive Asher Hartman audience Brian Getnick Carol Cheh club community Curt LeMieux Danyel Madrid documentation gallery Geoff Tuck Hans Kuzmich history Jared Baxter Kale Likover Lauren Weedman Melinda Guillen museum Nathan Bockelman Paul Outlaw performance art USA Zemula Barr

Native Strategies 1: So Funny It Hurts
Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5348 | Type: Digital File

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Alice Cunt archive Asher Hartman audience Brian Getnick Carol Cheh club community Curt LeMieux Danyel Madrid documentation gallery Geoff Tuck Hans Kuzmich history Jared Baxter Kale Likover Lauren Weedman Melinda Guillen museum Nathan Bockelman Paul Outlaw performance art USA Zemula Barr

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’
Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

archive audience authenticity authorship brand capitalism consumer contract criticism economy labour law legislation market money performance art politics theatre theatrical trademark law

&labels
Editor: Sophia Yadong Hao | Reference: P4061 | ISBN: 1899837809 | Type: Publication

A special edition of the Cooper Gallery periodical: a complexity of perspectives and positions by artists, curators and writers are brought together reflecting on and interrogating the necessarily shifting nature of identity and its other.

Amelia Bywater archive DJCAD Jane Rendell Kirsty Hendry mapping Morgan Quaintance Scotland Seán Elder Ulay

Acts of Transgression: Contemporary Live Art in South Africa
Editor: Jay Pather and Catherine Boulle | Reference: P4054 | ISBN: 978-1-77614-279-8 | Type: Publication

15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.

Part of the Library of Performing Rights (P3041).

activism Africa Africanfuturism Alan Parker Andrew J. Hennlich apartheid archive Athi-Patra Ruga belonging Bettina Malcomess black black body body Cape Tpwn Chuma Sopotela citizenship collectivism colonialism crisis curation decolonisation Donna Kukama Fees Must Fall feminism futurism Gabrielle Goliath gender gesture healing history ICA Liv Art Festival identity Iziko South African National Gallery Katlego Disemelo Khwezi Gule land reform Lieketso Dee Mohoto-wa Thaluki Massa Lemu memory mourning Mwenya B. Kabwe nation national identity Nomusa Makhubu Nondumiso Lwazi Msimanga performance art politics protest queer race racism redress ritual Same Mdluli Sarah Nuttall sexuality social media Steven Cohen Tracey Rose trauma upsurge women

Uncertain Fragments
Artist/Author: Tim Etchells, Hugo Glendinning | Digital Reference: EF5339 | Type: Digital File

A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.

Part of LADA Screens 15.

archive chance collaboration documentation duration Hester Chillingworth Karen Christopher performance process theatre

Not And I
Artist/Author: Reynir Hutber | Digital Reference: EF5331 | Type: Digital File

A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.

Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.

Andy Warhol archive audience durational endurance fantasy fiction improvisation labour memory monologue performance reality Samuel Beckett

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