Publication in conjunction with Future of Imagination 8, an exhibition presenting a selection of performance art relics from Singapore.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Documentation of the performance lecture by Swiss based Brazilian artist about their most recent work Trinta y Dois Igual a 5.
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Documentation of the event considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely.
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.