East End Collaborations 2005 Call For Proposals

Queen Mary, University of London and the Live Art Development Agency announce

EAST END COLLABORATIONS 2005

An open call for proposals for 2005’s EEC Platform from graduates and emerging artists working with Live Art in London.

Deadline for applications: 13 June 2005

East End Collaborations 2005 offers a range of support structures for graduates and emerging artists working with Live Art and based in London.

East End Collaborations 2005 aims to respond to the professional development needs of artists who are at an early stage of their practice by providing opportunities to showcase their work through the open submissions EEC Platform (17 and 18 September) and to access information, advice and expertise through the training day Everything You Wanted To Know About Live Art But Were Afraid To Ask (1 October).

The EEC Platform will take place on in a range of performance and installation spaces at Queen Mary, University of London.

The EEC Platform is an opportunity for artists who are working with Live Art to present their work in a professional context, introduce their practice to audiences, peers, promoters and funders, and receive advice and critical feedback through a mentoring programme…please spread the word.

EEC Platform participants will be selected on an open submissions basis by a small panel.

Artists wishing to apply should complete and return an application form by 13 June 2005 at the latest.

Applications forms are available from:

Rose Sharp
East End Collaborations
School of English & Drama
QM University of London,
Mile End Road
London E1 4NS

Telephone:  0207 882 5196
Email: [email protected]

East End Collaborations 2005 is financially assisted by Arts Council England.

We are looking for a better quality image for this page or to replace it if it's missing.

Part of East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 1999

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2000

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2001

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2002

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2003

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2004

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2005

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2007

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2008

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2009

Support structures for graduates and emerging artists working with Live Art.

Read more

Everything You Wanted To Know About Live Art But Were Afraid To Ask…

Information and advice about Live Art for graduates and emerging artists.

Read more

Also

Study Boxes at Live Collision Festival, Dublin

A hand picked selection of materials from LADA’s Study Room

Read more

Exposures

A book of collaborative photographs of the body in performance by Manuel Vason.

Read more

Floating Cinema – A Smaller Sound, A Bigger Crowd

A film and performance by Ian Giles telling the story of The Docklands Bell

Read more

Remote Performances

Commissioned performances live from Outlandia, a unique artists’ tree-house studio in Glen Nevis.

Read more
Ongoing

Library of Performing Rights

The Library of Performing Rights is available as a place of action, a place of knowledge exchange, a repository of experience, and a context that others can use to support and advance their own work both at LADA and elsewhere.

Read more
Ongoing

Restock, Rethink, Reflect Five: on Managing The Radical

An ongoing project considering the idea of managing the radical (or radicalising the management).

Read more

You Are Here

Live Art commissions and presentations in collaboration with the Bluecoat for Liverpool Biennial 2002.

Read more