East End Collaborations 2004

Saturday 13 and Sunday 14 November
Queen Mary, University of London,
Mile End Road, London E1

an intensive weekend of new work by new artists

The EEC Platform is an opportunity for emerging practitioners from across London to present new performance and time based works and an invitation to audiences to experience the artists of tomorrow today.

Saturday 13 November 2004 from 18.00

KATHERINA RADEVA – Settling Dirt

LOTTIE LEEDHAM & CELIA WILLIS – In pursuit of Kids McCoy and others

THE VACUUM CLEANER – Everything you wanted to know about Linda McCartney frozen foods but were afraid to ask

CHRISTINE DE LEON – Maya Fortunes

GRACE NDRITU – The Nightingale & Absolute Native

HSIA HSIEN CHAO – Buy me or Worship me

LAURA ELDRET – Doused here in weeping water near a missing moon

REBECCA COLLINS & OWEN PARRY – Listus

PROPELLER – The World Rushed In

Sunday 14 November 2004 from 18.00

HELENA HUNTER – The Other Room

GILBERTANDGRAPE – Kiosk Correspondence

CHRISTINE DE LEON – Maya Fortunes

ALEXA REID – Lithopedion allotment – dirt nap tattoo

LOTTIE LEEDHAM & CELIA WILLIS – In pursuit of Kids McCoy and others

JOHANNA ALLITT – You can take the girl out of Blackpool…

NATHAN EVANS – Rather be dead than gay

EVA WEAVER – Part one Strip 1 & 2, Part two Strip 3, Part three Strip 4 & 5

Tickets:  £5 (£3 concessions) per day or £8 (£6 concessions) for a 2 day pass.

Bookings: 020 7882 5196

Venue: The Arts Building, Queen Mary, University of London, Mile End Road, London E1 4NS. (between Mile End and Stepney Green Tubes).

East End Collaborations is a joint venture between Queen Mary, University of London and the Live Art Development Agency and aims to respond to the professional development needs of artists who are at an early stage of their practice by providing opportunities to access information, advice and expertise through the training day Everything You Wanted to Know About Live Art But Were Afraid To Ask, Part Two; by offering input and critical feedback through a new Mentoring Scheme; and by showcasing their work through the open submissions EEC Platform.

EEC artists’ mentors are Joshua Sofaer, Stacy Makishi, Oreet Ashery, Barby Asante and Simon Vincenzi.

Concessionary tickets are available for wheelchair users and an accompanying person.  Please indicate at time of booking any special requirements, wheelchair space or any other mobility assistance.  The theatre and other performance and installation spaces do not have hearing induction loops.

EEC 2004 is financially assisted by Arts Council England

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Part of East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

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East End Collaborations 1999

Support structures for graduates and emerging artists working with Live Art.

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East End Collaborations 2000

Support structures for graduates and emerging artists working with Live Art.

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East End Collaborations 2001

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2002

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2003

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2005

Support structures for graduates and emerging artists working with Live Art.

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East End Collaborations 2007

Support structures for graduates and emerging artists working with Live Art.

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East End Collaborations 2008

Support structures for graduates and emerging artists working with Live Art.

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East End Collaborations 2009

Support structures for graduates and emerging artists working with Live Art.

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Everything You Wanted To Know About Live Art But Were Afraid To Ask…

Information and advice about Live Art for graduates and emerging artists.

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