East End Collaborations 2001

An intensive Bank Holiday weekend performance platform

26 to 28 May 2001

Welcome to the third annual East End Collaborations Platform – three action packed days of new work and a chance to see the artists of tomorrow today!

East End Collaborations is an opportunity for over 30 emerging practitioners from across London to introduce their performance and installation work to peers and promoters and an open invitation to the public to see an eclectic range of new work by new artists.

East End Collaborations is a joint initiative between Queen Mary, University of London and the Live Art Development Agency, London,

Saturday 26 May from 17.00

Lee Adams Miss Roberts Selina Herbert Neither Fish Nor Meat Tania Coates The New Mistakes Victoria Harvey Officina Humana Twitch & Jerk Debbie Southerland Catherine Howett

Sunday 27 May from 17.00

Eleanor Pearce Mircha Mangiacotti Megan Frazer Andrew Walby & Louise Anne Elmhurst Alice Lunt Gaggi Adura Onashile Aura Satz The Remonstrators Catherine Packard Chloe Dyn Tsoe Michelle Williams The Strange Names Collective Tetine

Monday 28 May from 17.00

Ken Turner Bia Oliveira William Timbers Higgeldy Piggeldy Engaged Art Action Razia Aziz Charlie Murphy Claudia Kappenberg

Tickets £5 (£3 concessions) per day or £12 (£8 concessions) for a 3 day pass.

Ticket reservations: 020 7882 3355 Address : The Arts Building and The People's Palace, Queen Mary, University of London, Mile End Road, London E1 4NS. (between Mile End and Stepney Green Tubes)

East End Collaborations 2001 is the London selection platform for the National Review of Live Art 2002, Britains1s leading performance festival taking place in Glasgow next February.

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Part of East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 1999

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2000

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2002

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2003

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2004

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2005

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2007

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2008

Support structures for graduates and emerging artists working with Live Art.

Read more

East End Collaborations 2009

Support structures for graduates and emerging artists working with Live Art.

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Everything You Wanted To Know About Live Art But Were Afraid To Ask…

Information and advice about Live Art for graduates and emerging artists.

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Also

Ongoing

Performance Magazine Online

A new online archive of Performance Magazine (1979-1992), plus new resources

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FRESH AiR

Opportunities for emerging artists and recent graduates in collaboration with Queen Mary, University of London

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Edge of an Era

A new project revisiting a series of seminal performance events from the 1980’s.

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Third Ear Symposium 2013

A day of talks and discussions to consider the culture of the arts in a time of austerity

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Study Boxes at Live Collision Festival, Dublin

A hand picked selection of materials from LADA’s Study Room

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Activations London and Liverpool, October 2004

Launching Live: Art and Performance and The Performance Pack at Tate Modern and Tate Liverpool.

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East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

Read more