Catherine Wood examines the political and media context of Rainer’s dance-theatre analysing her radical approach to image-making in live form. Part of One Work series of books, each focused on a single work of art examined by a single author and aimed at provoking debate about significant moments in art.

On how performance relates to the global contemporary situation.

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Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 4 of 4, see REF. D1109/D1112. Part of NRLA 2008.

Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 3 of 4, see REF. D1109/D1112.

Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars.. Disc 2 of 4, see REF. D1109/D1112.

Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 1 of 4, see REF. D1109/D1112.

Glasgow based artist/activist presents the findings from years of research and development that will enable the future to happen (T1, Tramway, Glasgow, 10 Feb 2008, 16.00 – 17.00). Disc 2 of 2, see REF. D1103/D1104.

Glasgow based artist/activist presents the findings from years of research and development that will enable the future to happen (T1, Tramway, Glasgow, 10 Feb 2008, 16.00 – 17.00).  Disc 1 of 2, see REF. D1103/D1104.

A recitation of the Universal Declaration of Human Rights as an act of memory.

National Review of Live Art, February 2008; Disc 2 of 2, see REF. D1101/D1102.