Catalogue > By Keyword > performance art
965 results | Page 62 of 97
Conquest of the Ridiculous: Ronald Travel, John Vaccaro and Charles Ludlam
Located in Miscellaneous Articles folder 5A.
History of the Ridiculous, 1960-1987
Located in Miscellaneous Articles folder 5A.
The 6th Taishin Arts Award
Catalogue of entries and jury’s comments for the Taishin Arts Award 2007
Radical Gestures: Feminism and Performance Art in North America
In Radical Gestures, the first comprehensive history of feminist performance art in North America within the social context of the feminist movement and avant-garde art from the 1970s to 2000, Jayne Werk shows that artists drew from feminist politics to create works that, following a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.
Pod 3
Pod3 is an experimental performance installation developed over four days by participants of the Awakenings Festival in collaboration with Back to Back Theatre. Running time 5 minutes.
Small Metal Objects
Designed to be performed in a sheltered outdoor civic space, Small Metal Objects seeks to realise the inner realm and simultaneously re-interpret the exterior urban environment as a new performance landscape. Running time 45 minutes.
The Inner Voice
Text in German and English. The Inner Voice features works by Asta Groting, with texts by Tim Etchells, Deborah Levy and Stella Rollig
Brian Conolly, Artist’s Collection
Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.
Archivi Affettivi / Affective Archives
Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.
