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Make Me Stop Smoking (Part 4)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 4 of 4, see REF. D1109/D1112. Part of NRLA 2008.
Make Me Stop Smoking (Part 3)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 3 of 4, see REF. D1109/D1112.
Make Me Stop Smoking (Part 2)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars.. Disc 2 of 4, see REF. D1109/D1112.
Make Me Stop Smoking (Part 1)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 1 of 4, see REF. D1109/D1112.
National Review of Live Art 2008: Exit Strategy (Part 2)
Images and stories from the end of the Carbon Era. Video documentation of the National Review of Live Art 2008. Disc 2 of 2, see REF. D1107/D1108.
National Review of Live Art 2008: Exit Strategy (Part 1)
National Review of Live Art 2008 - The Problem Is The Solution (Part 2)
Glasgow based artist/activist presents the findings from years of research and development that will enable the future to happen (T1, Tramway, Glasgow, 10 Feb 2008, 16.00 – 17.00). Disc 2 of 2, see REF. D1103/D1104.
National Review of Live Art 2008 - The Problem Is The Solution (Part 1)
Glasgow based artist/activist presents the findings from years of research and development that will enable the future to happen (T1, Tramway, Glasgow, 10 Feb 2008, 16.00 – 17.00). Disc 1 of 2, see REF. D1103/D1104.
rightsrepeated—an act of memory (part 2)
A recitation of the Universal Declaration of Human Rights as an act of memory.
National Review of Live Art, February 2008; Disc 2 of 2, see REF. D1101/D1102.
rightsrepeated—an act of memory (part 1)
A recitation of the Universal Declaration of Human Rights as an act of memory.
National Review of Live Art, February 2008;
Disc 1 of 2, see REF. D1101/D1102.
The Long Table - Performing Rights Glasgow (15)
National Review of Live Art 2008 - You Are Here…But Where Am I?
Participants co-create a new passport. Video documentation of NRLA (National Review of Live Art) 2008; 10 Feb 2008
