This exhibition booklet looks closely at the performative aspects of the action work by Vienna Actionists Günter Brus, Hermann Nitsch, Otto Muehl, and Rudolf Schwarzkogler contrasted with works by significant international practitioners of performance art, such as Marina Abramovic, Chris Burden, Tomislav Gotovac, Ion Grigorescu, Paul McCarthy, Ana Mendieta, Bruce Nauman, Yoko Ono, Gina Pane, Neša Paripovic, Ewa Partum, Carolee Schneemann, and VALIE EXPORT.

This publication is an edition of Track Report dedicated to the archive of the event. The University Centre Saint-Ignatius Antwerp introduces two performance artists – Harry Gamboa, a Los Angeles-based Chicano artist, and Ria Pacqué, a Belgian body and performance artist – to the master students and to the Belgian art audience through a week of lectures, seminars, explorations and actions here documented. 

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Through a form of performance known as Aquabatics, this article proposes a singular agency between the performer and a body of water in a mutual state of flow.

The full screening programe from Playing With Space, a touring film programme curated by Lawrence Bradby that celebrates artists who have been making guerrilla interventions, granting themselves the right to make their own work public. The file include a PDF documents with information and text on the event.

Liberate Tate – The Gift (2012) was screened as part of Land, Material, Memory at Tate Britain on Saturday 28 February 2026.

Performance for the camera part of a project exploring the history of Southend showgirls.

The catalogue for an exhibition at Kasa Galeri, October 31 – December 5 2014, curated by Marquard Smith and exploring, with a peculiar British sense of humor, how art can face up to the social and cultural challenges.

An exerpt from an integrated dance/film work, written, costumed, performed by and directed by Professor Aggiss, which fuses the screen mediated body and fictional and factual archive film as textually embedded into an original 60-minute live solo performance. This work continues to investigate the shifting nature of public presentation, structure and delivery systems within contemporary dance.

The American performance artist Boychild pictured live on stage at her show at the Rifflandia TV Festival 2013.