Skip to main content

Franko B

I Miss You!

My work presents the body in its most carnal, existential and essential state, confronting the essence of the human condition in an objectified, vulnerable and seductively powerful form.

I believe in beauty, but in a beauty that is not detached from life. My concern is to make the unbearable bearable; to provoke the viewer to reconsider their own understandings of beauty and of suffering.

My performance practice reduces the body to a carnal, bloody, raw and exposed state. My work is not about death; my body is not passive, not a dead body, and, in a way, it is giving life by bleeding.

My work is not an act of nihilism but of sharing and survival.

My work focuses on the visceral, where the body is a canvas but I’m not trying to express what I care about in a cognitive sense – all I can do is return to this fragile connection between real life and the experience of living.

I believe Live Art is something you feel in the action and the reaction, but

I don’t separate my Live Art work from my other, object based work or vice versa.

All of my art embodies ‘me’, and my body is always present in my work whether the form is a live event, a photograph or an object.

You can read my performances as sculptural. I am also painting with my blood.

We are looking for a better quality image for this page or to replace it if it's missing.

Part of Live Culture at Tate Modern

Four days of Live Art at Tate Modern.

Also

You Are Here

Live Art commissions and presentations in collaboration with the Bluecoat for Liverpool Biennial 2002.

Read more

Collaborative Arts Partnership Programme

A transnational partnership on collaborative arts funded by Creative Europe, 2014-18

Read more

Joshua Sofaer’s The Many Headed Monster in Madrid

An original and inventive resource created by Joshua Sofaer

Read more

Remote Performances

Commissioned performances live from Outlandia, a unique artists’ tree-house studio in Glen Nevis.

Read more

Crossovers

Screenings, talks and a DVD series of artists’ films, documentaries and dialogues, concluding Performance Matters

Read more

East End Collaborations

A range of support structures for graduates and emerging artists working with Live Art.

Read more
Ongoing

Live Art in Rural UK

Live Art in Rural UK is a year long programme conceived by LADA’s former Director, Vivian Chinasa Ezugha. It focuses on amplifying the embodied practices of artists living and working in rural locations across England, Wales, Scotland and Northern Ireland.

Read more

British Festival of Visual Theatre 1999

Stacy Makishi’s Suicide For Beginners (a work in development).

Read more

Donation

£