Franko B
- Year
- 2003
I Miss You!
My work presents the body in its most carnal, existential and essential state, confronting the essence of the human condition in an objectified, vulnerable and seductively powerful form.
I believe in beauty, but in a beauty that is not detached from life. My concern is to make the unbearable bearable; to provoke the viewer to reconsider their own understandings of beauty and of suffering.
My performance practice reduces the body to a carnal, bloody, raw and exposed state. My work is not about death; my body is not passive, not a dead body, and, in a way, it is giving life by bleeding.
My work is not an act of nihilism but of sharing and survival.
My work focuses on the visceral, where the body is a canvas but I’m not trying to express what I care about in a cognitive sense – all I can do is return to this fragile connection between real life and the experience of living.
I believe Live Art is something you feel in the action and the reaction, but
I don’t separate my Live Art work from my other, object based work or vice versa.
All of my art embodies ‘me’, and my body is always present in my work whether the form is a live event, a photograph or an object.
You can read my performances as sculptural. I am also painting with my blood.
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Part of Live Culture at Tate Modern
Four days of Live Art at Tate Modern.
Also
You Are Here
Live Art commissions and presentations in collaboration with the Bluecoat for Liverpool Biennial 2002.
Read moreCollaborative Arts Partnership Programme
A transnational partnership on collaborative arts funded by Creative Europe, 2014-18
Read moreJoshua Sofaer’s The Many Headed Monster in Madrid
An original and inventive resource created by Joshua Sofaer
Read moreRemote Performances
Commissioned performances live from Outlandia, a unique artists’ tree-house studio in Glen Nevis.
Read moreCrossovers
Screenings, talks and a DVD series of artists’ films, documentaries and dialogues, concluding Performance Matters
Read moreEast End Collaborations
A range of support structures for graduates and emerging artists working with Live Art.
Read moreLive Art in Rural UK
Live Art in Rural UK is a year long programme conceived by LADA’s former Director, Vivian Chinasa Ezugha. It focuses on amplifying the embodied practices of artists living and working in rural locations across England, Wales, Scotland and Northern Ireland.
Read moreBritish Festival of Visual Theatre 1999
Stacy Makishi’s Suicide For Beginners (a work in development).
Read more