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Franko B

I Miss You!

My work presents the body in its most carnal, existential and essential state, confronting the essence of the human condition in an objectified, vulnerable and seductively powerful form.

I believe in beauty, but in a beauty that is not detached from life. My concern is to make the unbearable bearable; to provoke the viewer to reconsider their own understandings of beauty and of suffering.

My performance practice reduces the body to a carnal, bloody, raw and exposed state. My work is not about death; my body is not passive, not a dead body, and, in a way, it is giving life by bleeding.

My work is not an act of nihilism but of sharing and survival.

My work focuses on the visceral, where the body is a canvas but I’m not trying to express what I care about in a cognitive sense – all I can do is return to this fragile connection between real life and the experience of living.

I believe Live Art is something you feel in the action and the reaction, but

I don’t separate my Live Art work from my other, object based work or vice versa.

All of my art embodies ‘me’, and my body is always present in my work whether the form is a live event, a photograph or an object.

You can read my performances as sculptural. I am also painting with my blood.

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Part of Live Culture at Tate Modern

Four days of Live Art at Tate Modern.

Also

You Are Here

Live Art commissions and presentations in collaboration with the Bluecoat for Liverpool Biennial 2002.

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Restock, Rethink, Reflect

An ongoing series of initiatives mapping and marking representations of identity politics in Live Art

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The Live Art Development Agency at Hackney Wicked Festival

A film programme of documentation and performance to camera for Hackney Wicked.

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LADA 20th Anniversary 2019

LADA marks its 20th anniversary in 2019 and will be celebrating with a series of initiatives throughout the year

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Performance Magazine Online

A new online archive of Performance Magazine (1979-1992), plus new resources

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Live Culture at Tate Modern

Four days of Live Art at Tate Modern.

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Ongoing

Post-Study: Supporting the Next Generation of Live Art Practitioners in London

In May 2026 Charlotte Young joined LADA to lead a 9-month project investigating the post-study landscape for undergraduate and postgraduate alumni from London area visual and performance art programmes.

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British Festival of Visual Theatre 1999

Stacy Makishi’s Suicide For Beginners (a work in development).

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Donation

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