Catalogue published on the occasion of the homonymous exhibition at the San Francisco Museum of Modern Art on view 8 November 2008 – 8 February 2009.
See accompanying lecture notes (A0205)Compiled for the Long Table on Performance and Human Rights, April 2005 for PSi 12. Partnership between EEC, Queen Mary Univerity of London and the Live Art Development Agency
Each chapter focuses on each year from 1970 – 1979. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Made to coincide with Tate Modern’s major retrospective, screened 28 Feb 2005, 9.30pm
Survey of the works of Joseph Beuys. This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Exhibition catalogue. A presentation and discussion of various art media such as painting, sculpture, engraving, print, video, performance and installation, shedding light on the changing symbolism of blood through the ages.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Part of On Falling, a compilation of material from the Study Room Gathering Live Art and Falling hosted by Amy Sharrocks in November 2012. At the event Amy gave a presentation which was followed by an extensive group discussion. This Guide is in note form, for ease of reading, and in the hope that people can read between the lines, and see the rhythm and shape of the wide-ranging and non-stop discussion.
A history of happenings – audio.
Part of On Falling, a compilation of material from the Study Room Gathering Live Art and Falling hosted by Amy Sharrocks in November 2012. At the event Amy gave a presentation which was followed by an extensive group discussion. This Guide is in note form, for ease of reading, and in the hope that people can read between the lines, and see the rhythm and shape of the wide-ranging and non-stop discussion.