Links and Resources for Artists

With Artsadmin, we have compiled a series of resources, which we think are useful to artists working in Live Art and contemporary performance in the UK. These FAQs, links and lists of organisations and venues are intended as a starting point for your research and project development. They aren’t comprehensive, so please do get in touch if you know of something which should be included.

 

Below you can find a selection of links to organisations we hope are useful. It’s not a comprehensive list by any means, but we hope it’s a useful starting point. Please email us if you have a link that you think should be added.

Here you will find useful links to:

Artists Nando Messias and Franko B in conversation Franko B and Nando Messias in conversation, Live Art Now, Queen Mary University of London, July 2019. Still from video, by Claire Nolan.
Artist reads a text into a microphone, lit by a rippling blue light with an effect similar to water. Victoria Sin, LADA’s 20th Anniversary Live Art Gala, October 2019. Image: Manuel Vason

NETWORKS AND PROFESSIONAL DEVELOPMENT

The following organisations offer professional development services relevant to artists and arts professionals working in contemporary performance practices, in varying ways :

OTHER NETWORKS AND CAREER RESOURCES

The following organisations offer resources and networks that are working in a different performance context:

FESTIVALS

The following are annual or in some cases biennial festivals which present contemporary performance work of a national and/or international profile :

FUNDING INFORMATION HUBS

The following are not funding bodies, but provide information about how to find potential funding bodies for your project. Be sure to read all the detailed guidelines and background information offered before making any application or approach to a potential funder.

Artist wearing makeup and an American Football plate crouches next to a car. FK Alexander, C/A/R/S - CAN ANYONE REALLY SURVIVE. Image by Julia Bauer

FUNDING BODIES

The following offer sources of funding in various ways. Be sure to read all the detailed guidelines and background information offered before making any application or approach. This is not a comprehensive list! Please also see Funding Information Hubs to find further examples of funding routes.

E-LISTS

The following provide listings on opportunities, news and events in varying ways, and are particularly relevant to artists working in contemporary performance practice :

Artist Run Initiatives

As part of the advisory service we support individual and peer-led artist run groups. This is by no means the definitive list, so please do let us know if you think there are other organisations we should include here:

A workshop participant presses their body against a wall. Attached to the wall are various post it notes and paper sheets. DIY16: 2019 - Lateisha Davine Lovelace-Hanson: To The Ritual Knowledge Of Remembering, ]performance s p a c e[, September 2019. Image: Sara Lima

SPACE HIRE

The following offer studio space for hire (London-only) :

BLOGS

The following are online blogs that provide useful information, articles, reviews and listings that might be of interest to artists and arts professionals working within contemporary performance practices.

ARTS, THEATRE AND CULTURE UK

DANCE

GREEN & ACTIVISM

OPEN CALLS

FURTHER CAREER / R&D

CURATED PLATFORMS

Live Art Venues

Below you can find links to venues, festivals, events and producers based in London with an interest in Live Art.

For more information on venues and organisations outside of London see our Live Art Advisory Network partner Artsadmin’s links and resources.

The Study Room at The Garrett Centre

Venues, festivals, events, producers based in London with an interest in Live Art

For more information on venues and organisations outside of London see Artsadmin’s links and resources.
Vogue Fabrics, Dalston, London, shop window front VFD (Vogue Fabrics, Dalston, London)
The Barbican Centre, front The Barbican Centre
Artsadmin - Court Room
Battersea Arts Centre town hall front Battersea Arts Centre
Semi nude artist holds a translucent bluwe fabric over their head, in a room overlooking the London skyline at dusk. Amanda Coogan at Steakhouse Live Festival 2018, Artsadmin.

Live Art Frequently Asked Questions

The staff of Artsadmin and LADA have compiled this information and advice resource. It is intended to be a starting point for artists who work in Live Art and who are at the start of their career.  Just as the practice of every artist is different, so are their professional development needs. We therefore encourage each artist to treat the information provided here as a springboard for their own self-directed research.

Here we answer the following questions:

Download a PDF of this information
Ron Athey in conversation with Dominic Johnson in LADA's Study Room. Ron Athey in conversation with Dominic Johnson, MA Live Art Guest Lecture, Live Art Development Agency, October 2019. Image: Joseph Morgan Schofield
Collage featuring multiple images of the artists dancing on green and blue background. DIY16: 2019 - Charlie Ashwell & Es Morgan: ANDROGYNY! Image courtesy of the artists.

What is Live Art

Live Art is an umbrella term encompassing a range of performance, performative and time-based practices; some view it as a strategy for making work that is not defined by art form.

There are many useful summary texts about Live Art available online, including:

Joshua Sofaer’s What is Live Art? and the What is Live Art? text on LADA’s website.

Perhaps the best way to find out more about the Live Art scene is to go and see as much work as possible. Get connected and find out what’s on by subscribing to the newsletters and social media feeds suggested below.

Other Organisations

Many other organisations across the UK support artists working in Live Art from Live Art UK, a national network of key promoters and facilitators who support the Live Art infrastructure, to multiple artist-led initiatives such as CLAY in Leeds and BUZZCUT in Glasgow, plus many more. If your work crosses over into the dance field, also check out the artist development spaces such as Chisenhale Dance Space.

We also recommended you check out the following e-lists and websites:

Artsadmin and LADA have also compiled these extensive lists of networks / funding bodies / festivals / venues / studios / blogs / campaigns – available here.

Artist in costumed persona delivers a talk at LADA. Performance Lecutre on Afrofuturism, Ivy Monteiro, Live Art Development Agency 2019. Image by Ben Harris

What opportunities and resources are offered by LADA

LADA Study Room – A free, open access research facility in London, housing one of the largest publicly accessible libraries of Live Art related videos, DVDs and publications in the world. Search the entire Study Room Catalogue online.

DIY – Annual UK wide professional development opportunities run by LADA to support projects conceived and run BY artists FOR artists.

Unbound  – The world’s only dedicated online shop for Live Art books, DVDs and limited editions.

Restock, Rethink, Reflect  –  Ongoing series of public programmes, professional development activities, and archival and publishing initiatives  mapping and marking underrepresented and culturally marginalised artists, practices and histories whilst also investing in future generations.

Live Online  –  A series of channels where you can watch short videos and films selected from LADA’s Study Room or generated through programmes and initiatives.

Online Resources – A series of web pages focused on: Live Art venues in London; Writing about Live Art; E-mail lists and forums and useful downloads for artists.

Further Artist Opportunities – LADA regularly presents artist development opportunities including: platforms, awards, workshops, talks, screenings, and and much more. All opportunities will be promoted on the LADA newsletter – sign up here.

How do I get my work seen

Often the best opportunity for artists to present their work early on in their career is at ‘platform’ or scratch events. These can be good opportunities to try out work in front of an audience, to hear views on it and to network with other artists at a similar stage. Feedback can be constructive; it can be useful to think in advance about what you would like feedback on and how to generate a discussion which will support you and your work.

The best place to find about platform opportunities is through individual websites, newsletters and discussions groups. Artists should also independently research venues, festivals and institutes that may be interested in their work, and join those organisation’s social media channels and/or newsletters to find any opportunities to perform.

There are many open-call platforms specifically for artists who are starting out, from artist-run projects like Tempting Failure (Bristol) and Homes for Waifs and Strays (Birmingham) to larger festivals such as Experimentica (Chapter, Cardiff) and In Between Time Festival (Bristol). Established venues and producers also present open-call platform events such as the annual Now series at The Yard Theatre (London), Open Labs at the Barbican (London), plus hÅb (Manchester) and Compass Live Art (Leeds) to name a few.

Also see the SPLL Festival (London/Ipswich): a high profile National Platform for up to 50 emergent artists at their Ipswich Festival, with 10 subsequently being selected to go forward to the SPILL London Showcase.

Platforms for artists with more experience include Caravan ShowcaseBritish Council Showcase (Edinburgh Festival) and Flying Solo at Contact Theatre (Manchester).

Many artists also create their own contexts for showing work; by joining forces with others to hire a space to make and/or show work or by presenting work in homes and public spaces.

How to find the relevant info:

The majority of current UK open-calls are advertised on the weekly Artsadmin E-digest. LADA provides a list of Live Art key venues in London to be found if you scroll further down the page. Artsadmin provides a list of Festivals, Venues, Platforms and Artist Led Initiatives under the Artist Support section of their website.

How do I begin to think about fundraising

We recommend that when it comes to fundraising you should make sure you fully research your options, be realistic in your planning, read the available application guidance information and talk to any available funding advisors. Newsletters and social media carry huge amounts of information about opportunities for funding, residencies and commissions.

When starting out the most relevant sources of funding tend to be the more publicly known ones, such as Arts Council England’s Grants for the Arts Scheme.

Projects can also be supported through crowd-funding initiatives and certain Trusts and Foundations. A list of funding bodies and discussions around approaches to crowd-funding is available through Artsadmin’s online resources.

Many artists also support their practice through a range of jobs. Thinking about how you can find support ‘in kind’ is also key – can you offer skills and time in exchange for space for example. Again, getting involved and developing your community can really help.

How can I represent my work

There will be many times in their career when artists need to represent their practice to others – for example, a studio visit, a submission for a commission, a funding application, an informal meeting. When the time comes, think about how you can best present / represent your work, and at the same time think about what the person / people you are presenting to will want to know about you and what you do. There is unlikely to be ‘one’ package that you should have but rather a selection of ‘components’ that can be packaged together.

We suggest that there are three key areas that artists should address:

Content – what it’s about (and why)

Form – what it looks like / how it works

Context – how it relates to the sector and its history; how it relates to what the venue / funder / commissioner is doing / interested in; and how it relates to what other artists are doing

If you are preparing a package of information to give to someone or to submit with an application you could ask yourself some of the following questions.

  • Should I provide documentation of my work (maybe a dvd of a full performance or an edited version, if you have one) or a promotional package (like a show reel with edited highlights)?
  • How much material should I provide?
  • What form should my documentation / package take – dvd, images, text, URL link to online material?
  • Should I include a CV (a list of what I’ve done) or a biography (a more discursive approach)?
  • Should I include press clippings, reviews or testimonials? If I don’t have any available can I arrange for someone who has seen my work – e.g. university tutor – to write something for me?

If you are writing a proposal, ask yourself:

  • Have I covered all the bases – i.e. have I made sure all the ‘required’ information (such as addressing guidelines of an application procedure) is included?
  • What should the tone of my writing be – e.g. hard-sell or background information?
  • Do I want a reaction / response? If yes, have I built in a mechanism for this response (such as ‘please let me know if you will be able to attend my performance’)?

Our four tips, in relation to preparing written statements about your work are:

  •   Make sure you write a short (paragraph) and long (one page) version early on in the development of your project, and continually update and revise these statements as your project progresses. Preparing statements at this early stage will ensure that you have material ‘ready to go’ when asked
  •   Get a friend to read a draft with fresh eyes. Ask how it strikes them and if your intention is coming across.
  •   Be sure to provide the information that is required. This almost always includes content, form and context.
  •   Target your proposal. Make sure your material is written for the person who is going to read it. And if you are writing a letter never use ‘Dear Sir/Madam’; instead, research and identify the name of the person you want to communicate with.

How do I find ways of getting my work written about

A good way to contextualize, promote and develop your work is to create/encourage written responses, if this is an avenue that interests you. With the proliferation of independent blogs there are a number of mechanisms for how to engage with writers about your work. The LADA website has a list of critical writing platforms under the Resources section

Again, if the right context for writing about your work doesn’t exist you could consider setting up a blog, asking for email responses from friends and colleagues, or writing about your work yourself.

Recommended blogs:

  • Exeunt – Online theatre & performance magazine, with weekly newsletter.
  • Run-Riot – Listing of cultural happenings in London, updated on a regular is by a team of writers, agitators and culture enthusiasts.
  • This is tomorrow – A contemporary art magazine.
  • Total Theatre Magazine – An online magazine and resource for practitioners of contemporary theatre and performance.

Where can I go fore more advice

Don’t forget Artsadmin has an artists’ advisory service!

But other artists are likely to be your best long term support network Knowing what it takes to make work, to keep going and to find ways forward – perhaps it is stating the obvious, but supporting others will help develop a sense of community. So many opportunities are created by artists themselves, rather than by institutions – evidence that it is possible to create your own context.

Some links to artists offering advice:

A group of Study Room users look at a table full of books in LADA's Study Room.
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Banner image credit:

Oozing Gloop, LADA’s 20th Anniversary Live Art Gala, October 2019. Image: Manuel Vason