A new anthology of cultural criticism, focusing on the making, watching and conditions of Live Art and performance in the UK today.

With a mixture of intellect, humour, and striking design, Joshua Sofaer: Performance | Objects | Participation analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.

This book documents some of Daniel Oliver’s awkward participatory performance worlds, and brings together critical and creative response by artists and writers.

Four essays on the four artists shortlisted for the ANTI Festival International Prize for Live Art 2019.

Praxis Volume Two is an invitation to encounter work and thinking in motion, responding to place, conversation and archiving.

The fifth edition of LADA’s ‘Live Art Almanac’ series, a collections of ‘found’ writings about and around Live Art

It’s Time responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces.

Looking back at the last 20 years of Live Art through the lens of LADA, edited by Theron Schmidt and co-published with Intellect Books

Chucking marginalised status out of the patriarchal pushchair, this anthology cites work by people who perform rebellious gen-age identities.

An extraordinary response by artist Lucy Hutson to their experiences within the mental health system.