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Franko B

I Miss You!

My work presents the body in its most carnal, existential and essential state, confronting the essence of the human condition in an objectified, vulnerable and seductively powerful form.

I believe in beauty, but in a beauty that is not detached from life. My concern is to make the unbearable bearable; to provoke the viewer to reconsider their own understandings of beauty and of suffering.

My performance practice reduces the body to a carnal, bloody, raw and exposed state. My work is not about death; my body is not passive, not a dead body, and, in a way, it is giving life by bleeding.

My work is not an act of nihilism but of sharing and survival.

My work focuses on the visceral, where the body is a canvas but I’m not trying to express what I care about in a cognitive sense – all I can do is return to this fragile connection between real life and the experience of living.

I believe Live Art is something you feel in the action and the reaction, but

I don’t separate my Live Art work from my other, object based work or vice versa.

All of my art embodies ‘me’, and my body is always present in my work whether the form is a live event, a photograph or an object.

You can read my performances as sculptural. I am also painting with my blood.

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Part of Live Culture at Tate Modern

Four days of Live Art at Tate Modern.

Also

LADA 15th Anniversary

LADA marks its 15th anniversary in 2014, which we are celebrating with a series of initiatives across the year

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Activations London and Liverpool, October 2004

Launching Live: Art and Performance and The Performance Pack at Tate Modern and Tate Liverpool.

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The Performance Pack

A limited edition artwork, a performance enabler, and an educational resource.

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LADA at Hackney WickEd 2014

a pop-up Study Room as part of the Hackney Wicked Art Festival

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Live Culture at Tate Modern

Four days of Live Art at Tate Modern.

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Exposures

A book of collaborative photographs of the body in performance by Manuel Vason.

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MIF 2019: Animals of Manchester (including HUMANZ)

Documentation, context and information about a project by Theatre of Research & LADA for Manchester International Festival 2019considering intergenerational, interspecies relations.    

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British Festival of Visual Theatre 1999

Stacy Makishi’s Suicide For Beginners (a work in development).

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Donation

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