Read Thinker in Residence Hester Chillingworth’s text on Kids, Families, Gender and Live Art from an event at LADA in May 2018

LADA’s 2017/18 Annual Review is now is available to view online

Everyone who has some kind of history with LADA is invited to donate their own plants to be part of a collective planting

LADA has updated their Ethical Funding Policy & Procedures

Celebrating and furthering the legacy of Adrian Howells in the field of intimate performance

Tara Fatehi Irani writes on her year-long project, making 365 performance-installations which shared micro-histories from her family archive from Tehran

Watch an overview of the recent changes to Arts Council grants for artists

From July 2018 Finn Love will be taking over the position of Programmes Manager and Joseph Morgan Schofield will be joining us as Coordinator

New data laws mean that you need to reconfirm your subscription to receive LADA newsletters from May 2018

Diverse Actions Leadership Bursaries have been awarded to Victoria Sin and Zinzi Minott

A review of Empty Stages, Crowded Flats – Performativity as Curatorial Strategy by Beatrix Joyce.

LADA seeks a new part-time Programmes Manager

Read an extract from Harriet Curtis’ introduction from LADA’s new publication

The UK’s first MA in Live Art is open for applications

Announcing two new partnerships between LADA and the Department of Drama at QMUL

“Hsieh is a performance artist who, perhaps more than any other, has taken art to the limits of what is feasible and possible…”

Subscribe to 3 LADA podcasts

Image blog of LADA’s opening events celebrating their ‘Centre for Live Art’ in Bethnal Green

We are very pleased to announce Lois Weaver and Neil Bartlett as new LADA patrons

Can Live Art’s approach to bodily functions help gender-questioning young people?

Live Art UK members thank Arts Council England for its continued support for Live Art through NPO

Announcing LADA is moving to Bethnal Green, London in September 2017

LADA is delighted to have received NPO 2018-22 and ‘Small Capital’ Grant from ACE

Joon Lynn Goh and Season Butler have been awarded LADA’s 2017/18 Diverse Actions Leadership Bursaries

The editors’ Introduction to Lexicon for an Affective Archive is available as a PDF download

Hester talks about the start of their residency on Young People, Gender and Live Art

LADA’s 2016/17 Annual Review is now is available to view online

Read article from Performance Magazine, Issue 63 March 1991

Read article from Performance Magazine, Issue 48 July/Aug 1987

Read article from Performance Magazine, Issue 41 May/June 1986

Read article from Performance Magazine, Issue 38/39, Dec-Feb 1986

Read article from Performance Magazine, Issue 38/39 Dec-Feb 1986

Read article from Performance Magazine, Issue 25, 1983

Read article from Performance Magazine, Issue 7, 1980

LADA co-founder and co-director Lois Keidan had an interview with Eva del Rey

Thanks to Jerwood Charitable Foundation, we are offering a series of DIY ‘enhancements’

A Live Art UK initiative which champions culturally diverse ambition, excellence and talent in Live Art

From January 2017 Finn Love will be joining LADA as Coordinator

Laura Sweeney and Giulia Casalini will be LADA’s next producers in residence

Lois Keidan and Anthony Roberts have written an article for the British Council on the 40th anniversary of punk

Nic Green is the winner of The Adrian Howells Award for Intimate Performance 2017

The newest addition to the Performing Urgency series

One of the six winning artists of the Paul Hamlyn Foundation Visual Arts Awards 2016

Jeremy Biles has written a review for the Religious Studies Review on Pleading in the Blood

A new 12-month full-time position as part of LADA’s Next Steps Scheme for emerging Live Art professionals

Lou Coleman has written a response to the LADA Study Room Gathering that she hosted on 13 September 2016

A new Study Room guide created and devised by Alessandra Cianetti entitled ‘Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art’

Lois Keidan presents the following text, in celebration for the life of artist, curator, publisher and teacher Roger Ely