Announcing two new partnerships between LADA and the Department of Drama at QMUL

The UK’s first MA in Live Art is open for applications

“Hsieh is a performance artist who, perhaps more than any other, has taken art to the limits of what is feasible and possible…”

Subscribe to 3 LADA podcasts

Image blog of LADA’s opening events celebrating their ‘Centre for Live Art’ in Bethnal Green

We are very pleased to announce Lois Weaver and Neil Bartlett as new LADA patrons

Can Live Art’s approach to bodily functions help gender-questioning young people?

Live Art UK members thank Arts Council England for its continued support for Live Art through NPO

LADA is delighted to have received NPO 2018-22 and ‘Small Capital’ Grant from ACE

Announcing LADA is moving to Bethnal Green, London in September 2017

Joon Lynn Goh and Season Butler have been awarded LADA’s 2017/18 Diverse Actions Leadership Bursaries

The editors’ Introduction to Lexicon for an Affective Archive is available as a PDF download

Hester talks about the start of their residency on Young People, Gender and Live Art

LADA’s 2016/17 Annual Review is now is available to view online

Read article from Performance Magazine, Issue 63 March 1991

Read article from Performance Magazine, Issue 48 July/Aug 1987

Read article from Performance Magazine, Issue 41 May/June 1986

Read article from Performance Magazine, Issue 38/39, Dec-Feb 1986

Read article from Performance Magazine, Issue 38/39 Dec-Feb 1986

Read article from Performance Magazine, Issue 7, 1980

Read article from Performance Magazine, Issue 25, 1983

LADA co-founder and co-director Lois Keidan had an interview with Eva del Rey

Thanks to Jerwood Charitable Foundation, we are offering a series of DIY ‘enhancements’

A Live Art UK initiative which champions culturally diverse ambition, excellence and talent in Live Art

From January 2017 Finn Love will be joining LADA as Coordinator

Lois Keidan and Anthony Roberts have written an article for the British Council on the 40th anniversary of punk

Laura Sweeney and Giulia Casalini will be LADA’s next producers in residence

Nic Green is the winner of The Adrian Howells Award for Intimate Performance 2017

The newest addition to the Performing Urgency series

One of the six winning artists of the Paul Hamlyn Foundation Visual Arts Awards 2016

Jeremy Biles has written a review for the Religious Studies Review on Pleading in the Blood

A new 12-month full-time position as part of LADA’s Next Steps Scheme for emerging Live Art professionals

Lou Coleman has written a response to the LADA Study Room Gathering that she hosted on 13 September 2016

A new Study Room guide created and devised by Alessandra Cianetti entitled ‘Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art’

Lois Keidan presents the following text, in celebration for the life of artist, curator, publisher and teacher Roger Ely

A new Study Room Guide on Live Art and the Maternal researched and written by the artists, activists and academics Emily Underwood-Lee and Lena Šimić

A Study Room Guide on Food and Performance by ‘I’m With You’

In partnership with Artsadmin, LADA have been awarded funding from ACE’s ‘Catalyst Evolve’ programme

PLAYING UP Play-In at Latitude

Articles and reviews on ‘It’s All Allowed: The Performances of Adrian Howells’

New gallery blog containing selected images from our new online Study Room Guide

How the ‘Live Art Almanac Volume 4’ navigates and reflects the complexities of Live Art writing and readership.

Lydia Ashman finds out more about the 20 artist-led projects around the UK for DIY 13

Article by Charlotte Raven to accompany the screening of ‘Audition Project’ on LADA Screens, 9 – 22 June 2016.

Artists opportunity to get involved with WALKING WOMEN

Conversation with Oreet Ashery and David Falkner

The movement to divest from Fossil Fuel companies has been building over the past year with Liberate Tate at the forefront

Two programmes of shows, talks, installations, and screenings on the ways femininity can be ‘performed’ and representations of gender can be queered through performance