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Project Arts Centre, Dublin
39 East Essex St,
Temple Bar,
Dublin 2,
Ireland
Launching at 6pm on Wednesday 19 April
Wednesday 19 – Sunday 23 April
Foyer
Free
A curated selection of work from the Study Room has toured to Live Collision each year, representing topics such as feminism, sexuality, disability and race in relation to Live Art practices.
This year the festival will host a bibliotheque of titles selected by Lois Weaver.
Friday 21 April, 9.30pm
Cube
€10
Titles from LADA’s Just Like A Woman, a programme on the performance of identity presented in Ljubljana, London and New York between 2013 and 2015, will be included in a curated presentation of short films by artists that bend the definitions of both genre and gender binaries. Screened works will be part of the TRANS LIVE ART SALON, a shared initiative of Robyn McQuaid-O’Dwyer and Live Collision.
Banner image credit:
Christa Holka: Tammy Why Not
An online launch of the Live Art Sector Research – A Report Mapping the UK live Art Sector.
Read moreAn online book launch and discussion marking the publication of the 6th issue of NS*, “Final Transmission: Performance Art and AIDS in Los Angeles”.
Read moreA live reading of peer to peer survivor writing organised by the artist Jet Moon.
Read moreThe Live Art Development Agency and Queen Mary University of London are pleased to announce that the 2nd Annual Live Art Lecture 2021 will be presented online by the critic and artist Morgan Quaintance.
Read moreAn online Valentine’s Day launch of A Good Love Story by Sibylle Peters
Read moreLADA is delighted to present the online screening of Walking Home, Alisa Oleva’s first film, created in the context of Performistanbul’s residency programme for performance artists on theme of ‘home’.
Read moreA special online book club discussing the recently released publication In Other Words, exploring marginalisation in the UK.
Read moreA screening of BREADROCK, I feel like doing this a film by artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler, originally created alongside a sculptural installation for PEER.
Read more