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HOTLINE

HOTLINE aims to be a space for debate and interaction. A space to get inside the heads of artists, performers, friends, friends of friends and unknowns. An itinerant space for interactions and opinions, outside your bedroom and beyond your Facebook feed.

We're interested in the ways that environment affects and directs conversation and each event will take place in a different space. Maybe it's worth nothing that we are wary of HOTLINE becoming an institution in itself. 

Our intention as organisers/curators/low-key hosts is to create a frame that enables access to people we find interesting and the things that they find interesting at the moment, but also to engage with the growing demand for artists to be present, in ways beyond the show/exhibition/text.

— Jamila Johnson-Small and Sara Sassanelli.

Contributors:

Kitty Fedorec
Kitty Fedorec is a performer and creator, with a strong interest in the relationship between movement, place, and the mind. Her work is informed by her relationship with mental illness and neuroatypicality. Kitty is a Candoco artist, dances with Subtle Kraft Co, and has a practice centred in cross discipline collaboration.

Monsur Mansoor
“Hi I'm Monsur Mansoor. I'm from' & based in' & i'm a dance-worker & artist. My current research explores choreographic strategies to undermine economies of capture, exhaustion & exploitation of dance-workers & dance-work, as well as a critique of the circulation of plastic diversity-unity-self(ie)-performance that problematises the preservation of bodies that white supremacy would rather erase. These concerns are ongoing & will manifest as a research-project in spring 2017 called ''UnUseful Research'', exploring destituent communal action (Dance Undercommons) & I'm making a solo ''WanTanaSloMoBae'' too. Currently an Xmas temp to pay the bills”. monsurmansoor.weebly.com

Emily Pope
Emily Pope (b.1990) is an artist and writer based in London. Her practice explores the potential of socio-political monologues and how these function within contemporary media. She is particularly interested in sarcasm and representations of 'class' in art, like most artists. Recent exhibitions and projects include: The Court Summons – Ladette Space, London, Tarantallegra – Hester Gallery NY, Got 2 B (ongoing) on Resonance FM and On Coping with Auto Italia. Emily studied at the School of the Damned in 2014 and recently graduated from Critical Writing at the Royal College of Art.

 

HOTLINE#1 Liv Fontaine + Liv Wynter @ The Rebel Man Standard Festival, April 2016
HOTLINE#2 Travis Alabanza + Season Butler + Paul Maheke @ Artsadmin, September 2016 

Banner image credit:

credit: Katarzyna Perlak & Jordan Taylor/hotlinemashup

Latest events

The Eleusinian Projector: Screening & Discussion with Ron Athey

27 Oct 2024

Please join us at Queen Mary University on Sunday 27th October for a discussion between Ron Athey and long-time friend and collaborator, scholar Dominic Johnson

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All Flesh is Good: Madinah Farhannah Thompson in conversation with Valerie Uchechukwu Ebuwa

11 Oct 2024

Please join us on Friday 11th October 2024 at 7pm for a conversation about Madinah’s Black Artist in Residence research and the experience of performing at the Abramović exhibition

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Poppy Jackson – Tower

25 Sep 2024

Please join us on Wednesday 25th September 2024 at 5.30pm for a performance by Poppy Jackson in Wattisfield, Suffolk

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LADA x Fringe! Uncensored Pleasures & Closeted Desires

14 Sep 2024 - 22 Sep 2024

Please join us on Saturday 14th, Saturday 21st and Sunday 22nd of September 2024 for a series of events by Fringe! Queer Film & Arts Fest 

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Dangerous Border Crossers: performingborders x La Pocha Nostra

02 Aug 2024

performingborders invites you to delve with them into LADA Study Room’s resources around borders and performances

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Amy Kingsmill – Light Source

26 Jul 2024

Please join us on Friday 26 July 2024 at 7pm for an event performed, hosted and curated by artist Amy Kingsmill.

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La Pocha Nostra in London: 100 Ways to Cross the Border

09 Jul 2024

Join us for the film screening with a special performative introduction from Guillermo Gómez-Peña and Balitrónica, followed by drinks.

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