Towards a policy for cultural diversity for the English funding system : African, Caribbean, Asian and Chinese arts.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
The first monograph of Chinese artist Wu Shanzhuan, providing a comprehensive review of the artist’s involvement in various media over a period of 20 years, from 1985–2005. It also brings to light a prolific body of raw material including writings and sketches by the artist which have not been published before. Artist’s biography and selected bibliography are included. With foreword by Norman Bryson.
Mapping the Body: Body Dialectics by Women Artists from Asia was presented at NRLA Glasgow in 2006. Varsha Nair and Tejal Shah – Encounters. Lilian Zumkemi – Brain Control.
Zhu Ming -Sydney Farm Cove, He Yunchang – Wrestle: One and One Hundred, major international performance art festivals in Asia 1993-2008.
This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)