Artists in Residence Announcement
- Date
- Friday 24 Jul 2026
The Live Art Development Agency welcomes Seyi Adelekun, Devika Bilimoria, Youngsook Choi and Ash McNaughton as Artists in Residence between July 2026 and April 2027.
This year’s residencies bring together four artists whose practices explore attunement with the body, lineages of knowledge, and entanglements with the material and more-than-human worlds around us. Their research spans geology, animism, and eco-theology, and their interconnected enquiries ask;
- What comes to the surface through embodied and relational practices?
- How do we understand our place in time whilst living through vast ecological and existential change?
- What can this teach us about liveness?
Over nine months, the artists will delve into the Live Art Research Collection, share reflections and exchange methodologies via our public gatherings throughout the year. In addition, LADA will support the artists with their ongoing professional practices.
Resident artists will curate a selection of titles and audio-visual documentation as part of a new artist-led Collections Development Process, which will expand our collection and learning resources. By doing this, the artists will revitalise the Live Art Research Collection in the aim for the collection to become a living tool for experimentation. The artists will also contribute to LADA’s student education programmes by designing and leading workshops inspiring future generations of artists.
LADA’s professional development frameworks are built from a belief that Live Art grows from artist-led, community-held and periphery-driven practices. The Artist in Residence programme asks, how can we co-create new ecosystems of knowledge that resist cultural, political and formal conventions, through the gathering of artistic community?
The Artists in Residence were selected through nominations by organisations in our networks.
‘This year, I want to deepen my research into Black ecologies. I hope my residency at LADA will be a space for conversation, experimentation and exchange, where I can share my research and learn alongside others about how ecological knowledge lives within African and Afro-diasporic ritual and performance.’
– Seyi Adelekun
‘I am thrilled to be enfolded into the histories and futures of LADA through this residency, where I endeavour to explore the concept of ‘body-ing’, a porous, relational, embodied practice, with material and gestural histories drawn from ritual and quotidian life. Since moving to London, LADA’s seductive archive, its community and its artists have been foundational to the integration of my practice within the fabric of live arts; and to exchange worlds with other artists in this way will be a pleasure.’
– Devika Bilimoria
‘What are the trajectories of forming interspecies solidarity and climate activism in live art, what other embodied languages emerged from them, and how do spiritual practices of folklore and animism play out as references? These are the questions I am interested in exploring during my residency in relation to developing graphic scores and performance on the speculative camaraderie between ponies and the rural working class.’
– Youngsook Choi
‘I’m interested in what remains in the wake of action: traces, residues, relics, and embodied forms of knowledge. My current research project, Petrified Forms, explores material transformation, collective memory, and the ways embodied experiences become sedimented within matter. LADA’s Residency will support me to further this line of enquiry by offering invaluable opportunities for conversation, exchange, research, and experimentation, and a fertile environment in which to explore how performance might contribute to a speculative archive of the present and what is preserved in the ruins of an increasingly precarious world.’
– Ash McNaughton
Seyi Adelekun
Seyi Adelekun is a London-based interdisciplinary artist of Yoruba-Nigerian heritage. Weaving together installation, performance, sound and social practice, their work serves as a medium for world-building liberatory futures by archiving and sharing ancestral wisdom. Drawing on principles of planetary healing, Seyi explores spirituality as a vital force in resisting environmental racism and ecological degradation. Their work engages diverse ways of knowing and relating through oral traditions, as well as embodied and land-based practices. In doing so, they create spaces for deep listening and collective ritual, honouring the interwoven lives of land, bodies and spirit.
Seyi Adelekun has exhibited and performed at Whitechapel Gallery, South London Gallery, KLA ART Festival, Forest of Dean Sculpture Trail, London Festival of Architecture and London Design Festival. They have undertaken residencies at Somerset House, The Place, G.A.S. Foundation, Iniva / Stuart Hall Library, and 32 Degrees East. As well as facilitated workshops for the Barbican Centre and developed projects with Assemble Studio, Artangel, and Tate Britain.
More information
Seyi Adelekun, Attunement 2026. Image Devika Bilimoria
Devika Bilimoria
Devika Bilimoria (AUS/GB) is captivated by the triad of performance, ritual and games and how their intersection offers insight into the persistence of chaos, construction of hierarchies and patterns of normativity. Courting performance art, dance and image-making, Bilimoria’s practice tends to notions of time, queering and materiality marked by diaspora and colonial rupture. Bilimoria has performed at Tate Britain, Whitechapel Gallery for the 2025 London Open Live, and has shown works at the National Portrait Gallery (AUS), the Museum of Australian Photography, and PHOTO 2022 International Festival of Photography (AUS).
More information
Devika Bilimoria, 21 AUMS, 2025. Image Emi Wilcox.
Youngsook Choi
Youngsook Choi is an artist whose socially engaged, site-specific practice explores intimate aesthetics of solidarity, postulating feeling and compassion as fundamental ways of knowing. Ecological grief is central to her work. Mobilising collective witnessing as a socio-political autopsy and building eco-literacy as an emergent pedagogy, Youngsook’s ongoing body of work, In Every Bite of the Emperor (since 2021), interweaves transnational narratives of ecological loss across the Northern UK, Malaysian Rainforest and Central Vietnam. Her research on pit ponies is one branch of this complex project. During the residency, Youngsook will work on writing and performance drawn upon the interspecies solidarity between ponies and the rural working class, and historical materials about horse domestication and breeding programmes in relation to capitalist colonial exploitation.
Youngsook’s works have been supported internationally. Amongst them are Arts Catalyst, Asia-Art-Activism, Barbican Centre, Camden Arts Centre, Estuary Festival 2025, FACT Liverpool, Lancaster Arts, Liverpool Biennial 2021, Tate Modern, Up Projects, and multiyear trust from Heart of Glass in the UK; ARKO Art Center, Seoul Media City Biennale 2023, Seoul Museum of Art in Korea; Documenta 15 in Germany; Gerimis in Malaysia; Á Space and AIR Hue in Vietnam. Youngsook is the founder of the transnational eco-grief council ‘Foreshadowing’ and a member of the Centre for Art and Ecology at Goldsmiths, University of London.
More information
Image Carl Davies
Ash McNaughton
Ash McNaughton is an action-based performance artist whose practice unfolds through process-led, time-based explorations of material, movement, and sound. Working through site-responsive, durational, and ritual practices, they explore thresholds between body, environment, and matter. Rooted in endurance, repetition, and embodied enquiry, their work navigates states of transformation, precarity, tension, and accumulation.
Through a queer and neurodivergent lens, Ash’s practice attends to memory, transcorporeality, and states of transition, holding in reverence that which lies in-between, where identities, materials, and experiences remain in flux, and where transformative possibilities emerge. Their current research enquiry, Petrified Forms, explores how temporal performance relics might be transformed into new material forms, where embodied action, memory, and pressure become sedimented within matter. Here, material processes operate as an alternative archive of the present moment, holding traces of cultural, political, and social experience in suspension rather than stasis.
Ash is a Scottish artist currently based in Folkestone, whose work has been presented across the UK & Europe, including at Aberdeen Art Gallery (Aberdeen, Scotland), Tramway (Glasgow, Scotland), Whitechapel Gallery (London, England), Revolve Festival (Uppsala, Sweden), and Venice International Performance Art Week (Venice, Italy). They hold a BA (Hons) Sculpture from Gray’s School of Art and an MA in Contemporary Art Practice: Performance from the Royal College of Art. They are Associate Director of ]performance s p a c e[, co-founder of SITE, and Director of QUEERCALL Festival. They are a member of the international collective Anam Cara, and an invited GeoAmbassador for the Cross-Channel Geopark Transmanche.
More information
Ash McNaughton, Common Host, 2026. Image Fenia Kotsopoulou
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Images Devika Bilimoria, Emi Wilcox, Carl Davies and Fenia KotsopoulouLatest news
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