THE DEADLINE FOR THIS DIY HAS PASSED
A 3-day expedition to find out what it means to survive as an artist, in the wilderness and in the world, and which is harder
Trying to make a living as an artist is a significant challenge that requires fortitude, grit and determination. This DIY takes the form of a 3-day walk into the wilderness. Carrying everything we need to survive with us, a group of 6 artists led by James Stenhouse will walk away from the comforts of the everyday to find out what drives us to keep on going.
What type of space is opened up by putting ourselves in a survival situation? By spending 3 days wild camping in the Yorkshire Dales, dealing only with the basic functions of survival- staying warm, finding shelter and clean water, what can we discover about the processes of art-making? What might we learn about our struggles as artists by helping each other to go the distance on this difficult journey with no turning back?
This project is an attempt to take care of ourselves in a hostile environment so we might learn more about the struggle of looking after ourselves in a long-term art practice.
6 participants from the field of Live Art and independent performance practice with at least 2 years experience of trying to make a living as an independent artist are invited to walk for 3 days into the Yorkshire Wilderness.
Participants must be comfortable with the idea of walking for 3 days carrying a 10-15kg pack and wild camping in changeable weather.
The application requires answers to the following questions:
Answers can be provided in video format if preferred.
Dates: 5 Sep – 8 Sep 2016
Times: Arrival time on the Monday will be confirmed. Walking days will be Tuesday to Thursday, finishing late on the Thursday.
Location: Yorkshire (meeting point TBC)
This DIY is supported by Compass Live Art
James Stenhouse is co-artistic director of Action Hero. Action Hero have over a decade of experience in making, touring and producing live art, theatre and performance work in the UK and throughout the world. He is also a founding member of the artist collective Residence, a peer to peer artist led project providing practical support and shared resources for artists in Bristol. Growing up in remote Northumberland without mains electricity or water James Stenhouse has always had a keen interest in the relationship between hardship, remoteness, struggle and the therapeutic effects of the wilderness.
Banner image credit:
Photo credit: the artist
Unusual professional development projects conceived and run BY artists FOR artists
depicting a fantasy-fiction average lifestyle
Read moreLots of dogs, lots of humans: experiencing what it is to be the other through collaboration
Read moreUnusual professional development projects conceived and run BY artists FOR artists
Read moreA weekend by the sea side exploring the very British obsession with privacy
Read moreAn opportunity to make an animal of yourself
Read moredurational, task based actions, silence and drone metal
Read moreBecoming local – contextualising work for a place or context in which you don’t necessarily belong
Read morefor the dancer who doesn’t give a fuck about being professional
Read morecelebrate social media’s power to transform cultural currency into empowerment
Read morea mutual response group for giving and getting feedback
Read moreWallowing in the pathetic
Read moreBowie, Stargazing and Performance Writing
Read moreLet’s talk about sex, baby.
Read moreWhat do we mean by Art Pedagogy?
Read moreexploring acts of self care we have to perform in public
Read morea performative writing retreat on commemoration and constructive forgetting
Read moreHello Campers! Do you need a break? Do you need a boot up the ass?
Read moreexploring notions of ‘tripping’ and ‘tipping points’ through the lens of the ‘architect-walker’
Read moreWe will transform ourselves into an interconnected cyborg entity
Read moreA retreat for artists of colour to explore how their work journeys in dialogue with futurity
Read moreReimagining Scale, Ambition and Access for Monsters in Performance, through the lens of Feminist Sci-Fi
Read more