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Fossil Funds Free Commitment

LADA is delighted to join an international line-up of over 180 individuals and organisations, in a commitment to go ‘fossil funds free.’

The Fossil Funds Free commitment indicates that we will not take any oil, coal, or gas corporate sponsorship for our cultural work.

This commitment is in line with LADA's Ethical Funding Policy, which has been designed as a checking tool to ensure that the needs of the organisation are balanced against its principles and is used by LADA to evaluate how to respond to challenging funding opportunities.

To see who else has made the decision alongside us, head over to http://fossilfundsfree.org – where you can also lend a hand in promotion, emailing your favourite theatres, arts centres, museums or galleries so that they too may play a part in thriving without oil. 

We are very proud to stand individually and collaboratively in refusal of our work being used to justify and promote dangerous fossil fuel extraction.

Latest news

LADA seeks a Deputy Director

7 January 2026

LADA seeks a Deputy Director to start in 2026

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Announcing Cat Sheridan as LADA Co-Chair

3 November 2025

The Board of Trustees of the Live Art Development Agency (LADA) are delighted to announce the appointment of Cat Sheridan as Co-Chair, following an international recruitment process.

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Live Art Bookshop: Does what it says on the tin

13 August 2025

We are changing the name of our retail publishing initiative to Live Art Bookshop.

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Join our Board of Trustees

5 August 2025

We are looking for new Co-Chairs and Trustees to join our Board.

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Stock Check Artists

27 June 2025

We are delighted to welcome the Stock Check group that will meet over four evening gatherings at LADA from July to October.

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Artists in Residence Announcement

11 March 2025

LADA welcomes Samra Mayanja, Claudia Palazzo and Symoné as Artists in Residence between April and December 2025.

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Leigh Bowery in The Study Room

26 February 2025

As Tate Modern celebrates the incredible career of Leigh Bowery, LADA has compiled a selection of materials from the Study Room which situate his work within Live Art practices and draw attention to the cultural and societal contexts in which he worked. 

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