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DIT: 2026

A list of the artist development projects being run as part of DIT 2026.

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FAQs for Participating Artists

A list of frequently asked questions covering all aspects of the DIT application process

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DIT 2026: Jo Hellier – Birth the Musical

A three-day workshop for pregnant people and people who have recently given birth to explore the weird and world-bending metamorphosis into parenthood.

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DIT 2026: Johnny Autin and Hannah Woodliffe – Making Weather

A process-led, peer learning lab for up to 15 artists to co-develop practical, low-tech methods for making ecological performance for and with children and young people.

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DIT 2026: Sym Stellium – Our Bodies Are Flooded With Entangled Histories

Workshops across three days exploring site-specific, intuitive and ritual-based performance practice, held at different sites in Birmingham and using intuition and ritual as starting points.

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DIT 2026: Tom Marshman – We Showgirls Are Offline

This three-day ‘offline lab’, for queer artists of different ages, will experiment with thematic pairings: performer and avatar, memory and screen, presence and absence.

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DIT 2026: Rosana Cade and Moa Johansson – Make FUNding FUN again

A month-long workshop exploring playful, collective-focused alternatives to art funding systems in the UK as an urgent response to the dire situation.

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DIT 2026: Gillie Kleiman – Disciplined

We often talk about Live Art as not belonging to any discipline. Disciplined will explore ways in which relating to existing disciplines can be a curse and an opportunity. 

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DIT 2026: Paula Varjack – The LABUBU EFFECT

This three-day workshop invites 8 artists to investigate contemporary cultures of consumerism — from hype drops to independent boutiques, from resale markets to ‘cute’ collectable unboxing TikTok’s — as sites of live performance.

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DIT 2026: Tosin Adegoke, Amina Khayyam, Husam Ibrahim – The Body at Sea

Investigating whether the body can serve as a site to engage with archival absences, specifically with the erased histories of lascars, the lab will embody the archive with rhythmic repetition, collective listening and performance.

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